Category: Events

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France Jobin Laureate for the Prix Opus in the category “concert of the year”

 

 

 

Laureate for concert of the year – Category Musique Actuelle – Electroacoustique

for her concert at  AKOUSMA 8 : sens_action : France Jobin, Réseaux des arts médiatiques, 14 octobre 2011

She presented EVENT HORIZON, the audio version of an audio visual collaboration with Cédrick Eymenier

Congratulations to all the Laureates!

Et les Lauréats sont….

Le Conseil québécois de la musique a dévoilé la liste des Lauréats des prix Opus qui ont été remis  lors de la 16e édition du gala des prix Opus, tenu le dimanche 27 janvier dernier à 15 h à la salle de concert Bourgie, à Montréal.

Créés en 1996, les prix Opus témoignent du dynamisme et de la diversité du milieu musical québécois. Ils soulignent l’excellence de la musique de concert au Québec, dans différents répertoires musicaux : médiéval, de la Renaissance, baroque, classique, romantique, moderne, actuel, contemporain, électroacoustique, jazz et musiques du monde. Par cet événement, le Conseil québécois de la musique souhaite rendre hommage aux musiciens d’ici, mais aussi transmettre au public et aux mélomanes le goût de découvrir, d’écouter et de fréquenter la musique de concert.

Les membres du Conseil québécois de la musique choisissent, parmi les quelque 1200 concerts qui se donnent annuellement, ceux qu’ils souhaitent inscrire à la compétition. Ainsi, pour la saison qui s’étend de septembre 2011 à septembre 2012, 160 concerts ont été jugés, auxquels s’ajoutent 66 disques, une dizaine d’articles et plus d’une quarantaine de candidatures pour les 8 prix spéciaux remis à des personnalités et à des organismes qui se sont démarqués au cours de la saison.

Pendant la soirée, le Conseil québécois de la musique rendra hommage à monsieur François Morel, pianiste, compositeur, chef d’orchestre et pédagogue. Considéré comme l’un des plus grands auteurs de musique contemporaine au Québec, ses oeuvres ont été jouées dans les grandes villes d’Europe, en Russie, au Japon, en Chine ainsi qu’aux États-Unis et en Amérique du Sud, sous la direction des chefs les plus réputés. François Morel s’est également impliqué intensivement sur la scène québécoise, produisant des événements tant pour le concert, le disque, le théâtre que pour la radio et la télévision. Par le passé, il a été récipiendaire du titre de Chevalier de l’Ordre national du Québec et du prix Denise-Pelletier des Prix du Québec.

Les prix Opus se distinguent par la remise de prix en argent aux lauréats. Ainsi, lors de la cérémonie, 5 récipiendaires se partageront 26 000 $. Pour une seizième année consécutive, le Conseil des arts et des lettres du Québec remettra 10 000 $ au lauréat du prix Compositeur de l’année. Pour leur part, le Conseil des Arts du Canada et le ministère de la Culture et des Communications verseront 5000 $ aux récipiendaires des prix Interprète de l’année et Production de l’année – jeune public. Le Conseil des arts de Montréal remettra au gagnant du prix Concert de l’année – Montréal, un montant de 3000 $. Enfin, le lauréat du prix Découverte de l’année recevra également une bourse de 3000 $ du Conseil québécois de la musique qui veut ainsi appuyer sa relève artistique.

Le Conseil québécois de la musique remercie ses partenaires pour leur contribution à cette 16e édition du gala des prix Opus : le Conseil des arts et des lettres du Québec, Musicaction, le Conseil des Arts du Canada, Radio-Canada, Espace Musique, le ministère de la Culture et des Communications, le Conseil des arts de Montréal, ainsi que Le Devoir, la Librairie Monet, le Musée des beaux-arts de Montréal, la salle de concert Bourgie et La Scena Musicale.


LA LISTE DES LAURÉATS – AN 16, saison 2011-2012

CONCERT DE L’ANNÉE – MONTRÉAL
Louise Bessette : 30 ans de carrière, Société de musique contemporaine du Québec en collaboration avec la Chapelle historique du Bon-Pasteur, 31 mars 2012

CONCERT DE L’ANNÉE – QUÉBEC
The Tempest, coproduction : The Metropolitan Opera (New York), Festival d’opéra de Québec, Opéra de Vienne (Wiener Staatsoper), coll. Ex Machina, 26, 28, 30 juillet, 1er août 2012

CONCERT DE L’ANNÉE – RÉGIONS
Marc-André Hamelin éblouit dans Busoni, Orchestre symphonique de Trois-Rivières, 6 avril 2012

CONCERT DE L’ANNÉE – MUSIQUES MÉDIÉVALE, DE LA RENAISSANCE, BAROQUE, CLASSIQUE
Concert inaugural de la Salle Bourgie du Musée des beaux-arts de Montréal, Fondation Arte Musica, 28 septembre 2011

CONCERT DE L’ANNÉE – MUSIQUES ROMANTIQUE, POSTROMANTIQUE, IMPRESSIONNISTE
Philippe Sly et Michael McMahon en récital, Philippe Sly, baryton-basse et Michael McMahon, piano,  Société d’art vocal de Montréal, 21 mai 2012

CONCERT DE L’ANNÉE – MUSIQUES MODERNE, CONTEMPORAINE
Louise Bessette : 30 ans de carrière, Société de musique contemporaine du Québec en collaboration avec la Chapelle historique du Bon-Pasteur, 31 mars 2012

CONCERT DE L’ANNÉE – MUSIQUES ACTUELLE, ÉLECTROACOUSTIQUE
AKOUSMA 8 : sens_action : France Jobin, Réseaux des arts médiatiques, 14 octobre 2011

CONCERT DE L’ANNÉE – JAZZ
Rémi Bolduc Jazz Ensemble : 4+2, Les Productions Art and Soul, 14 octobre 2011

CONCERT DE L’ANNÉE – MUSIQUES DU MONDE
Convivencia, Fidelio Musique/Art et musique La Mandragore, 16 et 31 octobre 2011

CRÉATION DE L’ANNÉE
Atacama : Symphonie no 3, Tim Brady, Atacama !, Bradyworks et VivaVoce, 12 juin 2012

PRODUCTION DE L’ANNÉE – JEUNE PUBLIC
Les aventures fantastiques de Flonflon, Jeunesses Musicales du Canada, 26 novembre 2011


DISQUES

DISQUE DE L’ANNÉE – MUSIQUES MÉDIÉVALE, DE LA RENAISSANCE, BAROQUE, CLASSIQUE
William Lawes – The Royall Consorts, Les Voix humaines, ATMA Classique

DISQUE DE L’ANNÉE – MUSIQUES ROMANTIQUE, POSTROMANTIQUE, IMPRESSIONNISTE
Bruckner 4, Yannick Nézet-Séguin, Orchestre Métropolitain, ATMA Classique

DISQUE DE L’ANNÉE – MUSIQUES MODERNE, CONTEMPORAINE
Denys Bouliane, Denis Gougeon, John Rea, Nouvel Ensemble Moderne, Lorraine Vaillancourt, ATMA Classique

DISQUE DE L’ANNÉE – MUSIQUES ACTUELLE, ÉLECTROACOUSTIQUE
Palimpsestes, Robert Normandeau, empreintes DIGITALes

DISQUE DE L’ANNÉE – JAZZ
Autour de Bill Evans, Donato, Bourassa, Lozano, Tanguay, Effendi Records

DISQUE DE L’ANNÉE – MUSIQUES DU MONDE
Lieux imaginés, Cordâme, Malasartes musique, DAME


ÉCRIT

ARTICLE DE L’ANNÉE
« Richard Wagner, Louis de Fourcaud, and a path for French opera in the 1880s », Marie-Hélène Benoit-Otis, Act : Zeitschrift für Musik und Performance, no 3, 2012
PRIX SPÉCIAUX
PRIX HOMMAGE
François Morel

COMPOSITEUR DE L’ANNÉE
Simon Bertrand

DÉCOUVERTE DE L’ANNÉE
Stéphane Tétreault, violoncelliste

DIFFUSEUR SPÉCIALISÉ DE L’ANNÉE
Fondation Arte Musica, saison inaugurale

DIFFUSEUR PLURIDISCIPLINAIRE DE L’ANNÉE
Corporation culturelle de Shawinigan

DIRECTEUR ARTISTIQUE DE L’ANNÉE
Grégoire Legendre, Opéra de Québec et Festival d’Opéra de Québec

ÉVÉNEMENT MUSICAL DE L’ANNÉE
Festival d’opéra de Québec – The Tempest

INTERPRÈTE DE L’ANNÉE
Lorraine Desmarais, pianiste jazz

RAYONNEMENT À L’ÉTRANGER
Les Violons du Roy

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LOUNGE

DHC/ART presents LOUNGE,
an event presented in the context of the exhibition Ryoji Ikeda

LOUNGE:
Synesthésie Sonore/
Sonic Synesthesia

Laura Cetilia
Seth Horvitz

Saturday, November 10 at 9 p.m
Doors open at 8:30 p.m. — PHI centre,  407 Saint-Pierre Street, Montreal

Free admission with pass, available at DHC/ART
and the PHI Centre as of November 1st.

Guest curator: France Jobin
Associate Curator: Cheryl Sim

LOUNGE is an audio project developed in a minimalist aesthetic,
the result of a long process of reflection on ways of listening
in the context of the public presentation of audio art.

LOUNGE proposes an environment inspired by the architecture
of the presentation space, an environment entirely dedicated
to listening. The presentation takes its inspiration from the
Montreal piano bars of the 1950s and explores new ways
of perceiving and experiencing the listening process, all the while
questioning the relationship between performer and performance,
intimacy and immensity, self and solitude, and between human
and machine. This exploratory environment serves as backdrop
for Seth Horvitz’s “Eight Studies for Automatic Piano” and
Laura Cetilia’s captivating approach to the cello, one that
combines virtuosity with inventiveness.

In this context of performed sound art, the contrast between
acoustic instruments used in very different ways is brought
to the fore; one using computer-based composition, and the
other using an approach to playing where traditional methods
are subverted. These approaches are complemented by
a very positive sort of synesthesia created by the presence
of the sound in the architectural space. It is in this spirit
of synesthesia that LOUNGE forms part of the development
of France Jobin’s curatorial practice, highlighting her
deep belief that the public’s experience of sound art must
happen immersively.

The work of Seth Joshua Horvitz (b. 1973, Los Angeles) crosses many
disciplines, among them electronic and experimental music, music for film
and dance, sound design, visual design, video, and installation art. His recent projects are primarily concerned with the web of relationships between nature, machines, and human perception. Under his own name and various pseudonyms, he has published music on dozens of record labels including LINE (USA), Mille Plateaux (Germany), and Leaf (UK). As a performer, he has appeared at venues across the Americas, Europe, Australia, and Japan. He holds a BA in Cognitive Science from the University of California at Berkeley (1995) and an MFA in Electronic Music and Recording Media from Mills College (2010).
Seth Horvitz

Laura Cetilia is a cellist currently based in Providence RI.  She is comfortable with both acoustic and electronic performance and improvisation, developing extended techniques and technologies that best convey her artistic intentions. Her work manifests itself in many forms. Apart from her solo projects, she is half of the electroacoustic group Mem1, member of the avant garde viola/cello duo Suna No Onna, and collaborator with a number of video artists, including Naho Taruishi, with whom she creates site-specific audiovisual installations.
Laura Cetilia

France Jobin is a sound/installation artist and curator residing in Montreal.
She has created solo recordings for ROOM40 (AUS), nvo (AT), ATAK (JP),
murmur records (JP) and LINE (USA). Her sound installation Entre-Deux,
was met with critical acclaim in Washington DC during the DATA/FIELDS
new media exhibit curated by Richard Chartier and including Ryoji Ikeda
and Mark Fell among others. As curator, she has presented several events
and her latest endeavour is immersound, a concert event/philosophy, which she initiated, and curates.

DHC/ART Fondation for Contemporary Art
451 & 465 Saint-Jean (corner Notre-Dame, in Old Montreal)
Montreal, Quebec H2Y 2R5 Canada

Gallery Hours
Wednesday to Friday from 12 p.m. to 7 p.m.
Saturday and Sunday from 11 a.m. to 6 p.m.

Information
(514) 849-3742   |   info@dhc-art.org
www.dhc-art.org   |    facebook | @dhcart    |    dhcart.tumblr.com

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immerson 3

© F. Jobin, 2012

chesterfield (Angélica Castelló/Burkhard Stangl) ,  Chantale Laplante, Steve Bates

Thursday June 7th and friday June 8th 2012 6 pm, limited seating!

Tickets on sale at OBORO for $10 (cash only),
from Tuesday to Saturday, noon to 5 pm.
You can also dial 514 844-3250 to make a reservation with credit card.

The artists

Steve Bates is an artist and musician, raised in Winnipeg and now living in Montréal. Coming from a back ground in the noisier side of music, radio art eventually lead to installation projects, both gallery and publicly sited. The sonic is always the starting point for his projects which are then manifested as evocations of communication networks and systems, or expressions of spatial and temporal experience.

Bates frequently uses sound material that is site-specific in an attempt to uncover place and how the sonic effects our experience of site. Time is measured, stretched, pulled at, ignored, and extended. Bates holds an MFA from Concordia University where he was awarded the inaugural Claudine and Stephen Bronfman Fellowship in Contemporary Art. Current projects include ongoing collaborations with Douglas Moffat as Field Sound, including Okta, a multi-channel, permanent, outdoor sound installation commissioned by the City of Toronto, Lanterner, a music duo with Marc-Alexandre
Reinhardt, and solo exhibitions.

Bates continues to release music, both solo and collaboratively. His
work has been exhibited in Canada, the United States and Europe.

Chesterfield (Angélica Castelló/Burkhard Stangl)

Chesterfield was founded by Angélica Castelló und Burkhard Stangl in 2007. The Duo is active in field of composition (f.i. Tapes & Dreams with a commissioned video by Billy Roisz – premiered at Radar-Festival 2010 México D.F.), live-music to silent movies, improvisation, curating and cooking for nice people. Concerts in Europe and México. CD-release: wireless headphone concert live-recording, Olliwood Records 025, 2012, Vienna (limited edition).

Angélica Castelló (chesterfield)

Recorder player + electronic devices, distortions, cheap toys, feedbacks, voices) performer, curator, composer, teacher.

*1972 México City
She studied Music in her native town (Conservatorio Nacional de México), in Montreal (Université de Montréal), Amsterdam (Conservatorium van Amsterdam) and Vienna (Konservatorium der Stadt Wien, Institut für Elektroakustische und Computer Musik). Since 1999 she lives in Vienna where she teaches, She founded the concert series “Neue Musik in St Ruprecht” which she currently runs and where regularly musicians from Austria and abroad perform.She works interdivisionaly with Dancers, Writers, Musicians, Video Artists, Performers, Theater etc.

Even if she stayed faithful to the ancient music (Ensemble fiori musicali), the center and heart of her work is electroacustic and New Music: Co-creation of the Ensembles low frequency orchestra, los autodisparadores (with Thomas Grill and Katharina Klement), frufru (with Maja Osojnik), cilantro (with Billy Roisz), subshrubs (with Katharina Klement, Billy Roisz und Maja Osojnik) and Chesterfield (with Burkhard Stangl). With this ensembles and other musicians such as Olga Neuwirth, Wolfgang Mitterer, Urkuma, Martin Siewert, Eva Reiter, Manrico Montero, Mario de Vega, Barbara Romen, Gunter Schneider, Juan Jose Rivas, Marina Rosenfeld, John Butcher, Okkyung Lee,  dieb13, Matija Schellander, Kazu Uchihashi a.o. she performed across America and Europe

As a composer she wrote for her own instruments (mainly Paetzold recorders with or without electronics), for ensembles (a.o. Danubia Saxophon Quartett, subshrubs, Bella Discordia) as well as for theatre and dance; she composed several electroacustic pieces. Her music has being recorded at labels like mosz, Ein_klang Records, Mandorla, Mikroton Records and chmafu nocords and has being presented in several radio programs.

Castelló has work with composers like Mario Lavista, Hilda Paredes, Katharina Klement, Daniel de la Cuesta, Robert Kellner, Jorge Sanchez-Chiong, Phil Niblock, Johannes Kretz, Burkhard Stangl etc. on their works, some of which have been dedicate to her.

She has performed at important festivals such as: Salzburger Festspiele, Ulrichsberger Kaleidophon, Donau Festival, Radar, Taktlos, Interpenetration, Osterfestival, Musica Genera, lmc festival, Musikprotokoll, Numusik, Music Unlimited, Wien Modern, Cha’ak’ab Paaxil, Klangspuren, Kontraste, a.o. And worked as an artist in residence in Schrattenberg (AUT) and in Topolo (I).

Prices and Grants:

1997            Conseil des Arts et Lettres du Quebec (Canada) Grant for abroad studies
1999            FONCA (Fondo Nacional para la Cultura y la Artes, México) Grant for abroad    studies
2007            Publicity-Preis from the SKE-austro mechana in Austria (for the Ensemble Low Frequency Orchestra)
2011            State Grant for Composition from the Federal Ministry of Education, Arts and Culture in Austria (bm:ukk)

http://castello.klingt.org/
http://castellonews.blogspot.com/
www.facebook.com/AngelicaCastelloGarnett
www.neue-musik.at

Burkhard Stangl (chesterfield)

composer/performer, guitar, electronic devices, author

*1960, Eggenburg near Vienna.
He works in the field of non-idiomatic improvisation, electronica and contemporary classical; more than 70 CD-releases and three books; inter alia: Récital (guit-solo, 1996), Polwechsel (1998, 1999, 2001, 2002), Moon of Venus (opera without location, together with the poet Oswald Egger, 2 CDs, 2000/2004), ereb afrik (composition for piano, 2004) and Duos with Angélica Castelló, Taku Unami, Taku Sugimoto, Christof Kurzmann, Kai Fagaschinski and dieb13. At last: Hommage à moi, box with 3 CDS, Book (496p., german only), DVD, edition echoraum/loewenhertz, Vienna 2011. Since 2004 he teaches at the University of Music and Performing Arts Vienna Improvisation and New Streams in Music.

http://stangl.klingt.org

Chantale Laplante Biography (French)

Chantale Laplante, compositeure, improvisateure et artiste sonore, vit et travaille à Montréal. Pianiste de formation, classique et jazz, elle a fait des études de composition à  l’Université de Montréal puis s’est perfectionnée auprès de Francis Dhomont et Jonathan Harvey, dans le cadre de cours privés. Son travail repose sur la sensation et le champ  phénoménal du lieu, et se caractérise par une approche au temps non pulsé, imprégnant
l’œuvre d’une impression à la fois de flottement et de tension. Sa pratique est multiple, allant de la composition instrumentale, mixte et électronique, à l’improvisation et, plus récemment, à l’œuvre in situ.

Depuis 2009, elle est chercheure associée au Matralab de l’Université Concordia et, à compter de l’automne 2011, elle est inscrite au Doctorat en études et pratiques des arts de l’Université du Québec à Montréal, avec le soutien d’une bourse du Fonds québécois de recherche sur la société et la culture.

About immerson:

immerson is a concert event and philosophy initiated by France Jobin that proposes creating an environment dedicated to an enhanced listening experience through the physical comfort of the audience by means of a specifically designed space.

Jobin initiated immerson in February 2011, in partnership with OBORO and in close collaboration with Stéphane Claude.

France Jobin is an audio / installation artist, composer and curator. Her audio art, qualified as “sound sculpture”, distinguishes itself in a minimalist approach of complex sound environments at the intersection of analog and digital. She participates in festivals, as well as presents installations and events internationally. Jobin has produced numerous solo albums with renowned labels such as ROOM40 (AU), LINE (US), popmuzik records and ATAK (JP).  France Jobin was a Sonic Arts Awards 2014 finalist in the category Sonic Research.

francejobin.com

In collaboration with Oboro and in partnership with  Festival Suoni Per Il Popolo
Immerson would like to thank the Austrian embassy in Ottawa for their support

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Live performance by András Blazsek and France Jobin at LACE

This event is set in the context of Steve Roden’s : Shells, Bells, Steps and Silences.
more info below

Variance

instinct, perception, intimacy and proximity are key elements
to my performance at LACE in the context of Steve Roden’s installation.

not experiencing the installation first hand yet, having access to its  sounds files,
a very intimate connection to the work whilesimultaneously, being removed from it.

an allocentric approach to composition,
a delicate balance between presence and absence of knowledge.

Thanks to LACE, Robert Crouch and Steve Roden.

LACE (Los Angeles Contemporary Exhibitions)
6522 Hollywood Blvd.
Los Angeles, CA 90028

ABOUT THE ARTISTS
András Blazsek is a Hungarian-Slovak media artist, working mainly in the field of sound and installation art. He earned his master’s degree at the Hungarian University of Fine Arts in 2009 and will start his postgraduate studies at the Academy Of Media Arts Cologne this year. Blazsek is a member of the artist group Besorolás Alatt (Unrated). He curated the +3dB contemporary Sound Art Festival in Budapest in 2009 and 2010. He lives and works in Budapest Hungary and Slovakia.  More at amigzaj.blogspot.com.

France Jobin (b. 1958) is a sound / installation / artist, composer and curator residing in Montreal, Canada. Her audio art can be qualified as “sound-sculpture”. It reveals complex sound environments where analog and digital meet. Her installations can be said to follow a parallel path, incorporating both musical and visual inspired by architectural elements.

Jobin has created solo recordings for bake/staalplaat (Netherlands), ROOM40 (Australia), nvo (Austria), DER (USA), ATAK (JP), murmur records (JP) and  on the prestigious label LINE (USA). Her work appears on countless compilations. Recently, her sound installation Entre-Deux presented within the new media installation exhibit DATA/FIELDS, was met with critical acclaim in Washington DC. DATA/FIELDS is curated by Richard Chartier and includes Ryoji Ikeda, Mark Fell among others.

Her latest endeavor, immersound, is a concert event/philosophy which she initiated and is curating. She produced the first immersound in Feb 2011 at the Gallery Oboro in Montreal and continues to produce and curate the event with Oboro.

Steve Roden : Shells, Bells, Steps and Silences.

LACE is proud to present Shells, Bells, Steps And Silences, a new video installation and film survey by Los Angeles artist Steve Roden, curated by LACE Associate Director/Curator Robert Crouch. While Roden has been making films for over 20 years, this is the first body of work he has made with video exclusively, although the visual language and the approach to performance is certainly an extension of his 2011 film, Striations. Shells, Bells, Steps And Silences incorporates 3 research projects conducted by the artist over the past year: a collection of sea shells acquired by Roden from the estate of modern dancer Martha Graham, notes from a recent residency at the Walter Benjamin archive in Berlin, and John Cage’s seminal 4’33”, a work that Roden performed daily over the course of an entire year.

ABOUT LACE

MISSION

LACE both champions and challenges the art of our time by fostering artists who innovate, explore, and risk.  We move within and beyond our four walls to provide opportunities for diverse publics to engage deeply with contemporary art.  In doing so, we further dialogue and participation between and among artists and those audiences.

HISTORY

Founded in 1978 by a small group of artists, LACE (Los Angeles Contemporary Exhibitions) has become an internationally recognized pioneer among art institutions. Uniquely positioned among commercial galleries and major art establishments, our nonprofit organization provides a local venue that advocates and exhibits innovations in art-making.  By encouraging experimentation, LACE has nurtured not only several generations of young artists, but also newly emerging art forms such as performance art, video art, digital art, and installation-based work. LACE has presented the work of over 5,000 artists in over 3,000 programs and events, which have provided the impetus for dialogue about contemporary arts and culture for over 30 years.

Many of the artists that LACE has supported over the years, being once unknown, have gone on to become influential and admired individuals in their field, including Laurie Anderson, John Baldessari, Chris Burden, Karen Finley, Dan Graham, Gronk, Ishmael Houston-Jones, Mike Kelley, Martin Kersels, Barbara Kruger, Linda Nishio, Tony Oursler, Jorge Pardo, Rudy Perez, Paper Tiger TV, Adrian Piper, Nancy Rubins, Ed Ruscha, Jim Shaw, Diana Thater, Bill Viola, Johanna Went, and Bruce and Normon Yonemoto.

Since moving to Hollywood Boulevard in the mid-1990s, LACE has become a key intermediary between the local community and the contemporary art world. Our prominent spot on the Hollywood Walk of Fame allows for a broad and diverse audience.  Since contemporary artists’ interests have moved beyond the gallery itself and into public arenas, LACE’s programs encourage the public to encounter art in their daily existence so that they are engaged by it and also participate in it.  LACE has been deeply involved in the creative vibrancy of the Hollywood community and looks forward to expanding its reach through programming efforts.

LACE’s programming is either free or low-cost, making it accessible to all audiences.  Just in 2008, LACE produced an exciting range of creative and educational activities, including 11 exhibitions, more than 40 public programs, and a mobile public art project. These presentations served nearly 16,000 audience members, and showcased the work of 195 artists and 18 curators. LACE has more than doubled its education and outreach offerings since 2005 and plans to continue this expansion.

LACE has developed ongoing education and outreach programs in order to build audiences and provoke discussions of exhibitions.  These programs include the Salon Series, which are experiential events for adults; ArtWorks, providing hands-on art making workshops for at-risk youth; and the Gallery Guides Program, which provides gallery visitors with a point of entry for the artwork and its concepts.

At a time when public funding for arts education has diminished, and access to the arts becomes more rare for all populations, LACE strives to increase meaningful dialogue between our institution and our diverse community. LACE fosters artistic collaboration and provides Los Angeles audiences with access to stimulating ideas and artworks. These original guiding principles remain at the very heart of the organization today. While the contemporary art community in Los Angeles has grown and expanded over the years, the need for a venue like LACE—free from commercial constraint and unbound by the restrictions imposed by larger institutions—is more essential to the vitality and diversity of that community than ever before.

Recently celebrating its 30th anniversary, LACE has become a part of LA’s history and continues to innovate into the city’s future.

Variance is supported in part by the Conseil des Arts et des Lettres Québec
and the Canada Council for the Arts.

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framework on resonance.fm – 07.29.2012

This sunday on Framework  resonance.fm : “these are few of my favorite things”  by  France Jobin

/*framework*/ – phonography / field recording;
contextual and decontextualized sound activity
presented by patrick mcginley.

framework broadcasts:
– sunday, 11pm, london, uk on resonance 104.4fm
– tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm
– wednesday, 3am, lisbon, pt on radio zero
– thursday, 7pm, lisbon, pt on radio zero
- thursday, 11pm, maribor, si on radio marš 95.9fm
– friday, 1am, brussels, be on radio campus 92.1fm
– saturday, 11am, new york state, us on wgxc 90.7fm

~ time zone converter:  http://www.timeanddate.com/worldclock/converter.html ~

This week is the last regular edition before the usual summer break of framework:afield,
as well as my last segment of “these are a few of my favorite things”.

This edition of “my favorite things”, is devoted to a particular live event that happened in Montreal in May 2011, and i was lucky enough to attend.

The artists featured are Herman Kolgen, Olivier & Urban9 and Orla Wren.
tune in and enjoy!

Welcome to  “these are a few of my favorite things”, the last segment of 2012.

As mentioned in earlier installments, my interpretation of field recording based works, is very broad however, the thread I like to follow is to find  artists who have mastered  their unique identity through the music of sound.

Musique d’impression

Three composers, here and abroad, two live performances and a presentation of audio book.
The young and dynamic organization of electroacoustic music Ekumen Montreal, is investing again, in an intimate and unusual presentation, this time,  music, printing and its surroundings.

The event invaded , the  book binding studio of  Cecile Cote, a small universe of stories printed, ready to be told,  to take life and mix with the presence and the imagination of each .

Ekumen offered a unique opportunity for Montrealers to visit or revisit Geographic Words, the sound performance of the internationally acclaimed multidisciplinary artist Herman Kolgen, to get carried away by the merger Sieste05 haunting book, created by the composer Olivier Girouard and graphics by Urban9 or discover through “The underneath of things”, the world premiere of the universe purring and delicate sound of British artist Orla Wren.

Travel, sound and magnetic proximity between artist, audience and venue
Inspired by the intimacy of the place and a magnetic proximity exacerbated with the public, each artist offers a work that manipulates and reinvents the laws of the size, but takes its support on a very human scale. Through a multidirectional interplay, each confronts a series of unexpected encounters solitary or in common.
The public is propelled, elastic jump, a leaping camera revealing voluptuous relative breaths , fragile voice or laughing, without reference to an environment where successive points and leaks resonate.

Three works

Geographic words, the very gripping and poetic performance offset by Herman Kolgen suddenly eradicates our dreams inside our thoughts to bring to light and melt back into the mass of sound that envelops us.

Facing the book Sieste05 Olivier Girouard & Urban9, connected by Cecile herself, our daydreams find the comfort of their intimate loneliness and gives way to a sound space that forms the imagination.

The underneath of things, the performance of Orla Wren Music is specially created for printing. The artist is inspired by the real machine tools and workshop revealing macroscopic details , often hidden around us, and its profound effect on the sensory experience of life, to listen and to hear.

Playlist + additional info below

Tracks                                    Artists & Websites

Geographic words                            Herman Kolgen  –  www.kolgen.net
sieste_05                                           Olivier & Urban9 – www.ekumen.com
The underneath of things               Orla Wren           – www.orlawren.com

Ekumen is an organisation that facilitates the gathering of artists and the exploration of sound art and electroacoustic music.

Artistic director since December 2010, Olivier Girouard is pursuing Ekumen’s mandate to offer a space for local and international creation and dissemination, as well as supporting the production of works and publications.

Ekumen stands out not only by proposing original listening situations – making music with unusual objects in atypical places, but also through a constant thirst for exchange and the integration of other art forms and techniques. Research, curiosity and the unearthing of a variety of platforms to present work to an audience: these are integral elements of Ekumen’s creativity.

Ekumen moves the soundscapes we speak of – instead of contemplating them, we travel inside.

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Sublimation

©Tu M’, 2009

Sublimation: An Exercise in the Immersive

Exhibition
March 3 – April 7, 2012

Opening 
Saturday, March 3, at 5 pm

Audio Screening
Studio 04
Saturday, March 3, from Noon to 7:30 pm

Live Performances
Studio 01
Saturday, March 3, from 7:30 pm to 8:30 pm
(pass required, available at OBORO from Tuesday, February 28)

Curators: 
Helen Frosi, France Jobin and Yann Novak

Sublimation: An Exercise in the Immersive is an exhibition featuring a range of audio-visual works  that respond to the idea of the sublime. The exhibition presents eight international artists: Mark + Laura Cetilia (US), Ryan Connor (US), Robert Crouch (US), Gary James Joynes/Clinker (CA), Mimosa|Moize (TW, UK) and Tu M’ (IT).  These works saturate the sonic and visual landscape, drenching and enveloping the audience and must be experienced to be truly understood.

The six audio-visual works on view in Sublimation: An Exercise in the Immersive explore the sublime through their creation of expansive, saturated and meditative environments.  Each artist’s work accentuates an understanding and appreciation of multi-sensory experiences.

The artists in this exhibition explore a wide range of artistic styles and practices, from audio and video field recordings (Morning by Mimosa|Moize), the utilization of broken lenses for light and sound manipulation (Letterlens to Kid Eyes by Ryan Connor), and the incorporation of ceremony and ritual (Provody by Gary James Joynes/Clinker).

One of the more well know works in the exhibition comes from artist duo Tu M’ (Rossano Polidoro and Emiliano Romanelli) who contribute a work from their Monochrome series: Monochrome # 09+V06, a reductive landscape that has been distilled down to fragile atmospheric shades of blue. Robert Crouch pushes the idea of traditional landscape further with his work Dusk, which presents an impossible landscape where a single surface shifts from land formation to skyline and back again.  Landscape leads to location based work in Mark + Laura Cetilia’s Visiting Hours where the piece is formed from recordings within the Museums of Bat Yam, Israel where the piece was first exhibited.

The opening night of Sublimation: An Exercise in the Immersive is accompanied by two complementary programs; an audio screening including works by: Katherine Bennett (US), Celer (US, JP), Stéphane Claude (CA), Heribert Friedl (AT), Robin Parmar (UK, CA, IE), Tomas Phillips + Craig Hilton (US), Scant Intone (CA) & Tom White (UK); and a concert consisting of live performances by:  Robert Crouch (US), David Kristian (CA) and Mimosa|Moize (UK).  The audio screening serves to highlight a larger range of work that fits into the idea of the sublime.  The live performances is a chance for both artist and audience to be consumed by the same visceral experience, to be drawn into and among the same heights and depths of the sonic and emotional spectrum.

Artists:

Exhibition:
Mark + Laura Cetilia (US), Ryan Connor (US), Robert Crouch (US), Gary James Joynes/Clinker (CA), Mimosa|Moize (UK, TW), & Tu M’ (IT).

Sound Diffusion:
Katherine Bennett (US), Celer (US, JP), Stéphane Claude (CA), Heribert Friedl (AT), Robin Parmar (UK, CA, IE), Tomas Phillips + Craig Hilton (US), Scant Intone (CA) & Tom White (UK).

Sound Performances: 
Robert Crouch (US), David Kristian (CA) & Mimosa|Moize (UK).

 

Curators:

Helen Frosi is an artist and curator with an interest in sonic and olfactory arts, currently based in London (UK). Helen is co-founder and creative director at SoundFjord the UK’s first sound-devoted gallery and research unit. As a serial collaborator with nomadic tendencies, Helen has programmed internationally for organisations and festivals as well as creative and unconventional arts spaces. Recent projects include screenings, performance and installations for, among others, Apiary Studios (UK), Café Oto (UK), Dragonfly Festival (SE), Galerie8 (UK), Gorey Arts and Film Festival (IE), ICA (UK), Pigeon Wing (UK). Helen is currently a nominator at Supersonix (UK).

soundfjord.org.uk

France Jobin (1958) is a sound/installation artist and curator residing in Montreal. She has created solo recordings for ROOM40 (AUS), nvo (AT), ATAK (JP), murmur records (JP) and LINE (USA). Her sound installation Entre-Deux presented within the new media exhibit DATA/FIELDS, was met with critical acclaim in Washington DC. Curated by Richard Chartier, DATA/FIELDS included Ryoji Ikeda and Mark Fell among others. As a curator, she has presented several events, amongst those: emptiness at Monkeytown, New York (2006), Nocturne 3, Mutek in 2007 (co-curator) and her latest endeavour Immerson (2011) at OBORO, a concert event/philosophy which she initiated and is curating.

francejobin.com

Yann Novak is a sound, video and installation artist based in Los Angeles. He has presented his installation work through solo exhibitions at 323 Projects (CA), Armory Center for the Arts (CA), Las Cienegas Projects (CA), Lawrimore Project (WA), Soundfjord (London, UK) and in two person exhibitions at the Henry Art Gallery (WA) and  Pøst (CA). In 2005, Novak re-launched his father’s Dragon’s Eye Recordings imprint with a new focus on limited edition releases by emerging and mid-carrier sound artists, composers and producers. Since its re-launch, Dragon’s Eye has published over 60 releases and has received critical acclaim.

yannnovak.com

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immerson 2

 

 

 

 

 

 

Richard Chartier,  Monique Jean, Nathan McNinch

In conversation with Richard Chartier after the concert @ 19:30.
Open to all!

Concert
Immerson  2 at Oboro
Thursday, February 24 and Friday, February 25, 2011, at 6 pm, limited seating!Tickets on sale at OBORO for $10 (cash only), from Tuesday to Saturday, noon to 5 pm.
You can also dial 514 844-3250 to make a reservation with credit card.

The Artists:

Richard Chartier (b.1971), sound and installation artist, is considered one of the key figures in the current of reductionist electronic sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.

Chartier’s critically acclaimed sound works have been published over the past 12 years as 40 compact discs on labels such as 12k/LINE (US), Raster-Noton (Germany), Spekk (Japan), Non Visual Objects (Austria), Room40 (Australia), Die Stadt (Germany), DSP (Italy), ERS (Netherlands), and Trente Oiseaux (Germany). He has collaborated with noted sound artists Taylor Deupree, William Basinski, CoH, and German pioneer Asmus Tietchens, as well as installation artists Evelina Domnitch, Dmitry Gelfand, and visual artist Linn Meyers. His work currently appears on 38 international sound art and electronic music compilations.

Chartier’s sound works and installations continue to be presented internationally. His work has been exhibited in the 2002 Whitney Biennial at the Whitney Museum of American Art (US), Sounding Spaces at NTT/ICC (Japan), I Moderni / The Moderns at Castello di Rivoli (Italy), Resynthesis at The Art Institute of Chicago and with the traveling sound exhibit Invisible Cities. His solo and collaborative installations have been shown at the Art Gallery of University of Maryland (US), Media Lab Enschede (Netherlands), Montalvo Arts Center (US), G Fine Art (US), Die Schachtel (Italy), The Contemporary Museum of Baltimore (US), Fusebox (US), and Diapason (US).
Chartier continues to perform his work live across Europe, Japan, Australia, and North America. He has performed at noted art spaces/electronic music festivals including:  MUTEK (Canada), GRM/Maison de Radio France (France), Musiktriennale Koeln (Germany), Observatori (Spain), DEAF (Ireland), Transmediale (Germany), NETMAGE (Italy), Lovebytes (UK), The Leeds International Film Festival (UK), The Rotterdam International Film Festival (Netherlands), REDCAT (US), and La Batie (Switzerland) and at art museums including: ICA (UK), Hirshhorn Museum and Sculpture Garden (DC), ICC (Japan), CAPC Musée D’Art Contemporain De Bordeaux (France), Musee d’Art Contemporain (Canada), The Contemporary Art Centre (Lithuania), and Sculpture Center (NY). His live performances have taken place in conjunction with the exhibits Frequenzen [Hz] at the Schirn Kunsthalle (Germany) and A Minimal Future? Art as Object 1958-1968 and Visual Music at the Los Angeles Museum of Contemporary Art (US).
Since 2000, Chartier has continued to curate his influential recording label LINE, publishing 45 CDs and DVDs documenting the compositional and installation work of international sound artists who explore the aesthetics of contemporary and digital minimalism. Chartier’s Series, the premiere release on LINE, was awarded an Honorable Mention for Digital Music by Austria’s prestigious Prix Ars Electronica in 2001.

In 2006, Chartier was invited by the Hirshhorn Museum and Sculpture Garden to create a sound work in conjunction with the Hiroshi Sugimoto exhibit. Titled Specification.Fifteen and composed with musician Taylor Deupree, this work is inspired by Sugimoto’s Seascape series. The audio performance premiere in the museum’s curved Lerner Room at sunset reflected the duality and stillness of Sugimoto’s series. The live recording was released on compact disc through Chartier’s LINE label. The work was awarded one of five Honorable Mentions for outstanding contemporary artistic positions in digital media art by the Jury of Transmediale.07 Award (Germany). With a special slowly shifting video piece incorporating Sugimoto’s Seascapes, a new version of Specifiation.Fifteen premiered at Berlin’s Akademie der Kuenste (Germany) in 2007. This audio/visual performance has subsequently been presented at Issue Project Room (NY) and Torun’s Center for Contemporary Art (Poland) and continues to be adapted.

http://www.3particles.com/

Monique Jean lives and works in Montréal. She studied electroacoustic composition at the Université de Montréal under the supervision of Francis Dhomont.

In addition to her acousmatic compositions, her work is also regularly associated with video and experimental films, with dance and with installations. Her harbour symphony L’Appel des machines soufflantes (“The Call of Blowing Machines”), a commission of Radio-Canada, was premiered in March 1998 at the Port of Montréal and in 1999 she was an invited composer during the Rien à voir (5) concert series produced by Réseaux (Montréal).

Finalist in the Ciber@rt (Valencia, Spain, 1999), Musica Nova (Prague, Czech Republic, 2001) and Bourges (France, 2002) competitions, her works are regularly performed and broadcast during numerous national and international concerts and festivals.

www.theresatransistor.ca
www.electrocd.com/en/bio/jean_mo/discog/

nathan mcninch is a consummate tinkerer whom on occasion makes art and music. nathan has released sound work for a handful of independent record labels including: oral, important records, moar and his own petite sono. he has also produced sound works for a variety of other mediums including: installation, video radio, and the internet.

http://petitesono.com/

About immerson:

immerson is a concert event and philosophy initiated by France Jobin that proposes creating an environment dedicated to an enhanced listening experience through the physical comfort of the audience by means of a specifically designed space.

Jobin initiated immerson in February 2011, in partnership with OBORO and in close collaboration with Stéphane Claude.

France Jobin is an audio / installation artist, composer and curator. Her audio art, qualified as “sound sculpture”, distinguishes itself in a minimalist approach of complex sound environments at the intersection of analog and digital. She participates in festivals, as well as presents installations and events internationally. Jobin has produced numerous solo albums with renowned labels such as ROOM40 (AU), LINE (US), popmuzik records and ATAK (JP).  France Jobin was a Sonic Arts Awards 2014 finalist in the category Sonic Research.

francejobin.com

Immersound wishes to acknowledge the support of Canada Council for the Arts. 

 

 

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Janvier

 

Studio 303 
presents
JANVIER

Created by Tedi Tafel (conception/direction) 

In collaboration with
 Leslie Baker, Bill Coleman, Dean Makarenko, Lin Snelling,
 Monique Jean, France Jobin (I8U) et Yan Lee Chan
January 13-14-15 & 20-21-22, 6 p. m. to 9 p. m.
661, Rose-de-Lima,
Montreal (metro Lionel-Groulx)

Janvier by Tedi Tafel

Janvier is what happens when talented artists from various disciplines collaborate and use their fertile imaginations to explore in depth the sensuality and mystery that is January. Winter dictates the pace of this piece, in which images unfold slowly. In this atmosphere of ambiguity and shifting shadows, where even the architecture is in perpetual flux, bodies rise slowly from the cold, like winter light emerging ever so gradually from darkness. check video

For artist Tedi Tafel, Janvier represents the culmination of more than twenty years of researching the evocative potential of bodies in non-traditional venues. First presented as part of Calendar, a series of multidisciplinary performances offered throughout the city, each month at a different site, Janvier is back in all its magically suggestive splendour, further enriched by the cumulative experience of a year of Calendar performances.

NB: Janvier flows continuously over a period of three hours. The public is invited to move throughout the site freely, and to come and go as it pleases. However, space is limited. Reservations recommended.

Biography

Tedi Tafel is a Montreal-based choreographer and teacher whose current research interests include site-specific performance and video installation. Her work investigates the expressive potential of the human body in direct relationship to place. Inspired by being in nature, she creates from a need to translate something of this experience back into the city. She transforms public sites into spaces of heightened attention, imagination, and metaphor, thereby diverting us from our habitual, merely functional mode of moving through the city, and awakening in us a more sensual and enchanted engagement with our surroundings. With her latest works, Life-World (2007) and Calendar (2010), Tedi departs from conventional notions of ‘spectacle.’ She invents new forms of presentation that blur the separations between performer and audience, between art and life. Her work has been shown across Canada and in New York, Iceland, Mexico, Germany and Wales.

Janvier is copresented by Studio 303 and l’Agora de la danse.

 

 

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Akousma

AKOUSMA_8

Du 12 au 15 octobre 2011
1345, avenue Lalonde
Montréal (QC) H2L 5A9
Billetterie 514. 521.4493
www.usine-c.com

Le 12 octobre : Pierre-Yves Macé (FR), Roger Tellier Craig (QC)
Le 13 octobre : Hélène Prévost (QC), Stephan Mathieu (DE)
Le 14 octobre : France Jobin (QC), Robert Hampson (GB)
Le 15 octobre : Marc Behrens (DE), Horacio Vaggione (FR)
Programmation détaillée
Mercredi 12 octobre • 20 h • Usine C
TRANS_FORMATION: Roger Tellier-Craig (QC) • Pierre-Yves Macé (FR)
Roger Tellier-Craig est un musicien de Montréal. Ces dix dernières années, il s’est investi dans de nombreux projets, s’inspirant d’un spectre de références contradictoires pour explorer de nouveaux contextes musicaux. Il a été parmi les cofondateurs de Fly Pan Am, de Et Sans (aux côtés d’Alexandre St-Onge), de Set Fire to Flames et de Pas Chic Chic, ainsi que guitariste au sein de la formation Godspeed You! Black Emperor. Sous la signature Le Révélateur, il développe actuellement une esthétique élaborée in extenso à partir de synthétiseurs analogiques, une manière qui n’est pas sans rappeler les beaux jours de la « computer music ».
(titre à venir) création mondialePierre-Yves Macé est un compositeur dont le travail se situe au croisement de la musique électroacoustique, de la musique contemporaine et de l’art sonore. Il est l’auteur de quatre disques solo : Faux-jumeaux (Tzadik, 2002), Circulations (Sub rosa, 2005), crash_test ii (tensional integrity) (Orkhêstra, 2006) et passagenweg (Brocoli, 2009) et il collabore avec de nombreux artistes, dont l’écrivain Mathieu Larnaudie, avec qui il mène depuis 2003 un travail de coécriture qui se décline en plusieurs projets parallèles : chanson pop, lecture/performance et composition électroacoustique ou radiophonique.
MINIATURES/Song Recycle (2010) – 40 minutes

***** Soirée en co-diffusion avec Le Vivier (www.levivier.ca) • Pierre-Yves Macé est l’invité d’Ekumen

Jeudi 13 octobre • 20 h • Usine C

RADIO_DIFFUSION: Hélène Prévost (QC) • Stephan Mathieu (DE)
Hélène Prévost a longtemps été réalisatrice et animatrice d’émissions consacrées aux musiques nouvelles à Radio-Canada (1978-2007). La radio et la diffusion occupent toujours une place de choix au cœur de ses préoccupations et, pour sa performance, plusieurs appareils radio sont utilisés comme source continue de matériau, flux indéterminé qui réagit à l’environnement. L’artiste poursuit son travail d’exploration et développe pour ce faire un instrument singulier, qui est un croisement entre le studio radiophonique et le laboratoire électroacoustique.
U/ONZE – 35 minutes création mondialeDesigner acoustique de premier ordre, Stephan Mathieu est considéré comme l’un des plus importants « musiciens de laptop » du moment. Il fait partie de ces artistes du son qui ont également une formation en arts visuels et dont l’inspiration peut aussi s’incarner sous forme d’installations sonores. Cela dit, au-delà des a priori conceptuels, la musique de Stephan Mathieu comporte indubitablement une grande sensualité.
Music for Columbia Phonoharp (2011) – 50 minutes création nord-américaine

Vendredi 14 octobre • 20 h • Usine C

SENS_ACTION: France Jobin (QC) • Robert Hampson (GB)
France Jobin (aussi connue sous l’alias i8u) explore les franges atmosphériques d’un vaste territoire acoustique dans lequel défilent des images qui témoignent de sa sensibilité aux arts visuels ; certains observateurs décrivent ses œuvres comme de véritables sculptures sonores. Avec Event Horizon, elle propose, dans le cadre d’AKOUSMA, un beau voyage dont le titre évoque la frontière entre la matière et le vide.
Event Horizon (2009) – 35 minutes création mondiale
La diffusion d’Event Horizon est rendu possible avec l’appui aux activités de diffusionle d’Oboro.

Robert Hampson provient du monde de la pop psychédélique et du shoegazing. Toujours actif avec son projet collaboratif Main, il se consacre également depuis les années 2000 à un travail davantage axé vers l’exploration sonore et la diffusion acousmatique. Sa musique démontre une qualité d’écoute qui se traduit par une grande finesse d’écriture dans laquelle prend forme une trame narrative mystérieuse et inouïe.
Ahead – Only The Stars (2007)
Commande du VIBRO (13 mins) – Published by Touch Music création nord-américaine
Dans Le Lointain (2008)
Commande du GRM (20 mins) – Published By Touch Music création nord-américaine
Repercussions (2011)
Commande du GRM (20 mins) – Published by At The Surface création nord-américaine

Samedi 15 octobre • 20 h • Usine C

ORGANI_SON: Marc Behrens (DE) • Horacio Vaggione (FR/AR)
Marc Behrens est un artiste sonore en perpétuel renouvellement. Son expérience musicale éclectique (musiques industrielle, concrète, minimal glitch, paysage sonore, etc.) et ses nombreuses collaborations témoignent de la diversité esthétique de ses œuvres, dont le point commun est une évidente sensibilité.
Queendom (2009) : 8:07
voice: Yôko Higashi création nord-américaine
Sleppet (2–3): Avalanches, Water and Stones (2008) : 9:35 création nord-américaine Sleppet (4) Glacier (2008) : 10:00
Irregular Characters (2010) : 19:41
using material by: Yasunao Tone création nord-américaineHoracio Vaggione fait partie des pionniers de l’électroacoustique, mais son œuvre ne porte pas le poids du passé, bien au contraire ; nous sommes ici devant une musique d’une grande vivacité. Son intérêt envers le caractère énergétique du son est au premier plan de son travail. La virtuosité du compositeur nous permet d’entrer dans ce monde invisible où matière, durée et énergie sont en pleine convolution. Ses œuvres se présentent sous forme de grandes fresques abstraites qui diffusent leur beauté au travers de la cohérence du discours et de la forme musicale.
Arenas (2007) : 15’ création nord-américaine
Ash (1990) : 15’
Points critiques (2011) : 16’ création canadienne