Category: Performances

Posted on

Akousma at Empac

AKOUSMA at Empac

Friday October 7, 8:00 PM – Studio 2

EMPAC is located at the corner of 8th Street and College Avenue, in Troy, NY.

Presenting international works across the spectrum of electronic music, this concert highlights selections from this year’s eighth annual AKOUSMA festival in Montréal. Pierre-Yves Macé (France), France Jobin (Canada), Horacio Vaggione (France/Argentina), and Louis Dufort (Canada) will be interpreting their works live over a 16-speaker system surrounding the audience.

AKOUSMA is produced by Réseaux, a composer-run organization dedicated to presenting and commissioning electroacoustic music since 1991. Montréal is the North American hub for electronic music, offering a wide range of festivals spanning dance music, acoustics research, and everything in between.

Curator: Micah Silver

Bios:France Jobin, aka i8u, is a Montréal-based sound/installation/web artist and curator. Jobin’s audio art can be qualified as “sound-sculpture,” and her installation/web art incorporates both musical and visual elements.

France Jobin has created solo recordings for ROOM40, NVO, and Bake/Staalplaat, among others, and has had many collaborations, including with Goem, Martin Tétreault, David Kristian, and Tomas Phillips.

She has participated in web work/installations in Québec and Toronto, and in various music and new technology festivals in Canada, Europe, and the United States, including Silophone, MUTEK, Le Festival International de Musique Actuelle de Victoriaville, Ver Uit de Maat, send + receive, Les Digitales, Club Transmediale, velak, Shut up and Listen!, ISEA2010 RUHR, and immersound, as well as a soundtrack with Bubblyfish for the film Swordswoman of Huangjiang (Huangjiang Nuxia), presented at the Film Society of Lincoln Center.

Her latest endeavor, immersound, is a concert event/philosophy that proposes to create a dedicated listening environment by focusing on the physical comfort of the audience through a specifically designed space. The premise is to explore new perceptions and experiences of the listening process by pushing the notion of “immersion” to its possible limits. The first immersound was produced in February 2011 at the OBORO gallery in Montréal.

Jobin’s work continues to evolve as technologies enable her to create in new environments.

Montréal composer Louis Dufort’s music ranges from a cathartic form of expressionism to a focus on the inner structure of sound matter.

Dufort developed his style through electroacoustic music, and then turned his attention to mixed music and multimedia art, and has worked with a wide range of organizations, including the Société de musique contemporaine du Québec (SMCQ), the Ensemble contemporain de Montréal (ECM), the Quasar saxophone quartet and Bozzini string quartet, the Ensemble de flûtes Alizé, Réseaux, the Quebec Association for Creation and Research in Electroacoustics (ACREQ), and Chants Libres, for which he wrote the music for the 2005 opera, L’Archange

In 2007, Dufort was commissioned by Société Radio‐Canada (SRC) and the Canadian Broadcasting Corporation (CBC) to make a video and acousmatic remix of Glenn Gould’s recordings for the pianist 75th birthday.

In 2001, Dufort received a mention from Prix Ars Electronica (Austria); in 2005, he was invited to work at the Zentrum für Kunst und Medientechnologie (ZKM) in Germany, and in 2007, he was a guest of Recombinant Media Labs (RML) in San Francisco. He has worked with choreographer Marie Chouinard since1996, and their collaborations have been regularly acclaimed, including Body_Remix, which premiered at the Venice Biennial in 2005.

Dufort teaches at Montréal’s Music Conservatory. He was named artistic director of Réseaux in 2010, and he begins his first season with a concert at EMPAC.

Pierre-Yves Macé is a French musician whose musical practice encompasses improvisation on machines, a background in piano and classical percussion, jazz-rock/prog-rock bands, dance accompaniments, and an interest in literature and musicology. He received his PhD in musicology in 2009, which explored phonography and the “sound document” in contemporary music. His first recording, Faux-Jumeaux, was released on John Zorn’s Tzadik label in 2002. Subsequently, he released Circulations (Sub Rosa, 2005), and Crash_Test II (Tensional Integrity) (Orkhêstra, 2006) for a string quartet. He has held residencies at CalArts in Los Angeles, CNMAT in Berkeley (2004), and GRM in Paris (2006, 2008). Macé has performed in the Octobre Festival in Normandie, MIMI, Villette Sonique, Brocoli, Transnumériques, and Présences électronique. His artistic collaborations include projects with ON (Sylvain Chauveau & Steven Hess), That Summer, Louisville, artist Hippolyte Hentgen, and writers Mathieu Larnaudie, Philippe Vasset, and Christophe Fiat. He is also a member of the Encyclopédie de la parole, a speech encyclopedia crew whose goal is to constitute a compositional plan through which different forms of recorded speeches may be compared.

Horacio Vaggione is an Argentinian-born electroacoustic and musique concrète composer who specializes in micromontage, granular synthesis, and microsound, and whose pieces often are for performer and computer‐generated tape. He studied composition at the National University in Córdoba and the University of Illinois, where he first gained exposure and access to computers.

Vaggione visited every electronic studio in Europe during the 1970s. From 1969 to 1973 he lived in Madrid, Spain, where he was part of the ALEA group. He also co‐founded an electronic studio and music and computer projects at the Autonomous University of Madrid with Luis de Pablo. In 1978, he moved to France, where he still resides, and begin work at GMEB in Bourges, INA‐GRM and IRCAM in Paris, where his music moved from synthesized and sampled loops (as in La Maquina de Cantar, produced on an IBM computer) toward micromontage. Since 1994, he has been a professor of music at the University of Paris VIII, where he organized the Centre de recherche Informatique et Création Musicale (CICM).

About EMPAC

The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) opened its doors in 2008 and was hailed by the New York Times as a “technological pleasure dome for the mind and senses… dedicated to the marriage of art and science as it has never been done before.”

Founded by Rensselaer Polytechnic Institute, EMPAC offers artists, scholars, researchers, engineers, designers, and audiences opportunities for creative exploration that are available nowhere else under a single roof. EMPAC operates nationally and internationally, attracting creative individuals from around the world and sending new artworks and innovative ideas onto the global stage.

EMPAC’s building is a showcase work of architecture and a unique technological facility that boasts unrivaled presentation and production capabilities for art and science spanning the physical and virtual worlds and the spaces in between.

Posted on

immersound

Stéphane Claude, France Jobin, Yann Novak

See photos below

Thursday, February 24 and Friday, February 25, 2011, at 6 pm, limited seating!

Two “consuming” evenings of minimal sound art with Yann Novak, Stéphane Claude and i8u in which both artists and audience are mutually drawn into the same heights and depths of the sonic/emotional spectrum.

This sound art will be felt as well as heard.

Tickets on sale at OBORO for $10 (cash only), from Tuesday to Saturday, noon to 5 pm.
You can also dial 514 844-3250 to hold tickets for 24 hours.

Oboro, 4001, rue Berri, local 301, Montréal (Québec) Canada H2L 4H2

The Artists :

Stéphane Claude is an electronic_acoustic composer and sound engineer.

His research is based on integrating a conceptual and physiological framework of audio recording and sound installation for different diffusion contexts in the electronic arts. His interests gravitate around the communication of a formal aesthetic, of a transductive experience of the electronic medium, an exploration of digital signal processing, the parameters of acoustic and sound in spaces.

His work has been published by ATAK(JP), LINE (US), ORAL (CA), among others.

He is the co-founder of the art research unit Ælab with artist and professor Gisèle Trudel. The work of Ælab has been shown internationally. Upcoming projects include a workshop and performance in New-Zealand at the SCANZ Eco Sapiens residency and an exhibition at Fonderie Darling in march 2011.

http://www.intercreate.org/
http://www.intercreate.org/category/scanz-2011/workshops-and-events/ www.aelab.com

As an audio consultant, he participates in the conception, production and integration of presentation spaces, of specialized analog and digital creation and production studios for artist run centers, institutions and independant sites.

http://ca.linkedin.com/pub/st%C3%A9phane-claude/7/481/B83

France Jobin  is an audio / installation artist, composer and curator. Her audio art, qualified as “sound sculpture”, distinguishes itself in a minimalist approach of complex sound environments at the intersection of analog and digital. She participates in festivals, as well as presents installations and events internationally. Jobin has produced numerous solo albums with renowned labels such as ROOM40 (AU), LINE (US), popmuzik records and ATAK (JP).  France Jobin was a Sonic Arts Awards 2014 finalist in the category Sonic Research.

 

Yann Novak (b. 1979 Madison, WI) is a sound, video and installation artist living and working in Los Angeles. His work utilizes different forms of digital documentation as a point of departure. Through the digital manipulation of these sound and image files, his works serve as a translation from documents of personal experiences into an open ended autobiographical narrative. By choosing subject matter that is also relatable to the audience, Novak’s work creates a hybrid state, balancing between his own personal history and that of the audience.

His recorded works have been published by Dragon’s Eye Recordings (US), The Henry Art Gallery (US), Infrequency Editions (CA), Koyuki (IT), LINE (US), Mandorla (MX), smlEditions (US), White_Line Editions (UK) and others.

Novak’s installations and performances have been presented internationally at prestigious events and venues including American Academy in Rome (Rome, Italy), Blim (Vancouver, BC), Decibel Festival (WA), Ersta Konsthall (Stokholm, Sweden), Fiske Planetarium (CO), Henry Art Gallery (WA), Hit Art Space (Gothenburg, Sweden), Kasini House (VT), Las Cienegas Project (CA), Lawrimore Project (WA), Los Angeles Contemporary Exhibitions (CA), Mutek Festival (Montreal, QB), San Francisco Museum of Modern Art (CA), Seattle Lesbian and Gay Film Festival (WA), Soundfjord (London, UK), Soundwalk (CA), Suyama Space (WA), TBA Festival (OR), Torrance Art Museum (CA), Western Bridge (WA) and others.

As a result of these endeavors, Novak had been invited to numerous Residencies including the Environmental Aesthetics Residency (WA), the Espy Foundation Residency (WA), the Jental Artist Residency (WY) and the Kasini House Studio A Residency (VT).

In 2005, Novak re-launched his father’s Dragon’s Eye Recordings imprint with a new focus on limited edition releases by emerging and mid-carrier sound artists, composers and producers. Since its re-launch, Dragon’s Eye Recordings has published over 25 releases and has received critical acclaim. In 2009, Infrequency Editions, curated by Jamie Drouin, was integrated into Dragon’s Eye’s operations and distribution.

In recent years Novak has collaborated through select installation, performance and recorded work with Gretchen Bennett, the Crispin Spaeth Dance Group, Robert Crouch, Jamie Drouin, Will Long, Marc Manning, Alex Schweder and others.

Artist Statement

My work is an exploration of incident, process, and narrative. Central to my practice is the capture and manipulation of audio recordings and photographs. Through various types of digital media, I collect material from a range of sources, initially selected because of the subject matter’s emotional content. The content of these documents is used as a point of departure and a catalyst to recall the experiences; it is never used or excluded because of aesthetics. These documents then become highly charged fragments of an ongoing autobiographical text. Dramatic events like relocating from one city to another, or simple day-to-day incidents like being trapped inside during a strong rain, can be equally compelling. I am interested in reconfiguring documents of moments such as these into abstract, open-ended narratives. My intent is to create experiences that give the audience a window into my own personal experiences, but leave enough to the imagination that the viewer has room to relate their own experiences.

By subjecting these selected recordings to a series of erasures and treatments, a delicate palette of textures, drones, and subtle melodies emerges. When photographs are incorporated into my work, similar treatments and erasures are used to shape them into videos of slow moving or static color fields intended to tint the listening experience. Each piece is then composed from numerous variations from a single source, meticulously sculpted to highlight some aspect of the original document. Although significant details and artifacts are deliberately eliminated, the narrative and structural elements of the source material are left intact. The final form of my work may be realized as sound installation, sound performance, large-scale projection, video work or recorded work.

Each of my works is an investigation into presentation, composition and perception, not just to be heard, but to be felt. By creating situations the audience can relate to, a hybrid state is created, existing somewhere between my own personal history and that of the audience.

Recorded Work Description

My recorded work functions in a number of ways, all with the final goal of re-presenting my work in a format that is more easily accessible to a larger audience. One way I take advantage of the recorded format is to explore and further expand on themes and ideas present in installation or performance work. In these instances, fragments of, or source material from previous installations or performance works are reworked to further explore the idea expressed in the original.

I also use recorded works as a way to catalogue and document my installation or performance work. When I use recordings for this purpose, each work is treated differently depending on its origin. Generally, the goal is to preserve as much of the original experience as possible or to simplify the piece to not detract from the original experience.

The final way I use the recorded format is to free my process from the dependence on an exhibition or performance space in order to explore concepts or techniques not suitable for those venues. In this final form, recorded works serve as a platform to sketch, experiment or collaborate with other artists and affords me more freedom while getting exposure and feedback from an audience. Publishing recorded work allows me to breathe new life and longevity into pieces that would otherwise not allow it due to their ephemeral nature.

Sound Performance Description

My sound performances utilize the same techniques as my recorded or installation work: transforming a simple environmental recording into a richly layered, and emotionally tense composition. Since each of my works is constructed out of numerous variations on a single recording, my performances are composed from a library, unique to that piece, of altered sounds. Through this process my performances can take on aspects of my recorded or installation works, while maintaining the flexibility to adapt to unique venues, situations, environments and the audience.

My performances are also adaptable through their presentation. Generally I will perform in stereo, but when possible, my performances can be expanded to up to 6-channel surround. My performances utilize darkness as a visual cue to draw the audience into a deeper listening experience. However, in some cases, video will be utilized as a focal point if the piece was originally conceived with a video element. The video paired with my performances is similar to my installation works, slow moving or static color fields projected behind me on stage or in multiple around the audience. Both of these elements can be discussed with the organizer and are expansions on the basic elements of my performance.

Quotes

“Novak does not waste his chance to make a first impression. In fact, with remarkable economy he transforms the three rooms he’s been given to work with into chambers where you can be transported into states of mind that feel both personal and familiar. Using digitally altered field recordings (in which the sounds are heightened but the time is real) and snapshots digitally stitched together and abstracted into gleaming videos, Novak both fills the work up with his subjective experience and empties it out to make room for you. There’s just enough specificity and just enough blankness.

I know, technically, how Novak made this work, but I don’t quite know how it works. The closest I can get to describing his approach is that it’s a combination of generosity and restraint. Each detail being so firmly in place means that the rest is open.”
– Jen Graves , The Stranger (From “Yann Novak’s ‘Relocation’: All Kinds of Movings On” May 13, 2009)

“The work is distinguished by its clean design, with its constituent parts meticulously woven into a seamless flow without a superfluous element in sight.”
– Textura (CA)

“Essentially, this is a drone workout, but in the hands of one of its most proficient exponents, becomes a glistening, precious sound work, unrivalled but by a handful of contemporaries. Novak has seemingly taken an obvious source sound, and with an exploratory and majestic treatment transmuted it into sonic gold. Masterful.“
–BG Nichols, WHITE_LINE (UK)

“Novak creates a sense of distance by abstracting his source materials beyond recognition – whatever is going in is obscure, and far away. Hence the vague, rotorblading, respiratory effects of the first of these three tracks – the sound of systems ticking over, yet whose undulating motions are curiously involving.”
–David Stubbs , The Wire (UK)

(1)

immersound is a concert event/philosophy initiated by France Jobin (i8u) which proposes to create a dedicated listening environment by focusing on the physical comfort of the audience through a specifically designed space. The premise for immersound is to seek out/explore new perceptions and experiences of the listening process by pushing the notion of “immersion” to its possible limits.

Posted on

immersound

SoundFjord | London
Sound Art Gallery & Research Unit
02088003024 – info@soundfjord.org.uk – www.soundfjord.org
Unit 3b – Studio 28 – 28 Lawrence Road – London – N15 4ER


Press Release
immersound

An evening of momentous sonic environments; absorbing, contemplative sound
sculpture; sublime, immersive sound art and experimental music.

Featuring
Robert Curgenven | i8u | Yann Novak
Ian Hawgood | FOURM | mimosa|moize

Date: Friday 06 August 2010
Time: 7pm doors – late
Venue: The Others | 6 and 8 Manor Road | Hackney | N16 5SA

Entry: £5 adv. / £7 door
Tickets: http://www.wegottickets.com/event/85321
Information: info@soundfjord.org.uk
Directions: Tube: Finsbury Park then 106 bus
Overland: Stoke Newington from Liverpool Street
Buses: 67, 73, 76, 106, 149, 243, 476,to Stoke Newington Overland

immersound is an event featuring numerous international sound artists/performers in a variety of
guises, brought together to highlight shining examples of creative contribution to experimental music and the sound arts with diversity of performance. All are sensuous pieces that must be felt as well as heard! Here, the live immersive environment is a chance for both artist and audience to be consumed by the same visceral experience; to be drawn into and among the same heights and depths of the sonic and emotional spectrum.

immersound has been curated to define the notion of ‘immersion’: the saturated sound and visual landscape – the ‘subsuming experience’. Within the works presented, the notion of the ‘Sound Event’ is pushed to its limits: beginning and end are non-existent – cohesion between expert craftsmanship andà innovative transfiguration meld into dense, subsuming soundscapes.

Curated by Helen Frosi, France Jobin and Yann Novak, immersound is brought to you courtesy of
SoundFjord.Dynamic – the division of SoundFjord | London focusing on the promotion of
myriad aspects of live sound art performance in all its great diversity, at unusual venues, and by
creative means.

SoundFjord.Dynamic curates a platform for excellence, artistic rigour and diversity within creative output. Guest curators and visionaries with passion and intent are also invited to curate themed and eclectic events, encouraging the vanguard of the genre, bringing together highly talented artists from around the world to perform their works to an audience from diverse backgrounds and interests.

SoundFjord | London for contemporary sonic art and its research, is a new gallery with research facilities, exhibition and intimate event space. SoundFjord’s core activities are to act as a hub for practitioners and researchers, to provide a research and collaboration network for practitioners, and to deliver an exhibition and event programme rich in research-based, investigative and experimental sonic art from UK-based and international artists.

Using private initiative and funding, SoundFjord was primarily instigated to address the lack of exhibiting space exclusively for works of Sound Art. Now the gallery not only organises exhibitions, but also documents all works for its Contemporary Sonic Art Archive (CSAA), assists with the development of artists within their practice, and ultimately, promotes and disseminates awareness of its innovative and thought provoking exhibitions and events to art lovers, practitioners, researchers, and to the general public at large. SoundFjord actively invites participation between artists and encourages combined activity through its events and collaborative projects.

i8u wishes to thank the Conseil des arts et des lettres du Québec for its financial support.

Posted on

ISEA RUHR 2010

ISEA2010 RUHR Club

Mon 23–Fri 27 August 2010 Dortmund

The club programme of ISEA2010 RUHR is coming up with extreme defined beats, loops, and feedback. It starts on Mon 23 August 2010 with Audiovisual Pilots as synaesthetic laboratory by five international performers. The programme continues the next day with an extravagant performance named Delicate Folk, in which not only music has an important role but also the bodily and theatrical action provide powerful presence and intensity on stage. On Wed 25 August 2010 the E-Culture Fair 2010 closing party with electronic beats takes place at the Dortmunder U. On Thur 26 August 2010 Festicumex performs the night programme in Dortmund. Dick el Demasiado and other Argentine heroes of electronic Cumbia play in constantly changing formations. The closing is an appearance by momus – the British master of synthpop – at Tanzcafé Hösl on Fri 27 August 2010.

Music and sound art already had a special significance in the earliest thoughts about the ISEA2010 RUHR programme. The concert and club programme is therefore a central element in which many thematic strands of the festival are condensed. Enjoy!

Mon 23 August 2010 domicil, Dortmund, 22:00h Audiovisual Pilots Monolake Live Surround, Paul Prudence (gb), evala (jp), i8u (qc/ca), Halldór Úlfarsson (is) Further information

Tue 24 August 2010 domicil, Dortmund,22:00h Delicate Folk Tarek 
Atoui (lr), One Man Nation (sg), Infinite Livez (gb), Blevin Blectum (us), döbereiner & morimoto
 (de/nl/jp) Further information

Wed 25 August 2010 E-Culture Fair Closing Party Dortmunder U – Gewölbekeller, 22:00h Malo, D.E.R. E-Culture Fair 2010

Thur 26 August 2010 domicil, Dortmund, 22:00h Festicumex Cumbia Lunatica from Argentinien with Dick el Demasiado and six other musicians. Further information

Fri 27 August 2010 Tanzcafé Hösl, Dortmund momus (gb) Further information

i8u wishes to thank the Conseil des arts et des lettres du Qu�bec for its financial support.

Posted on

Los Angeles – 06.26.2010 – PRESENCE at the Torrance Art Museum

VOLUME is pleased to present Presence,  an afternoon of immersive sound, video, and durational performance work at the Torrance Art Museum on June 26, 12-5pm. Presence plays with the multiple meanings of the title to contextualize divergent practices by a unique selection of artists all working across a spectrum of time based media, whether it is video, sound, durational performance, or installation.

Artists include Jen Boyd (audio performance), Frank Bretschneider (screening), Jeff Cain & Mark Steger (collaborative video performance/installation), Heather Cassils & Kadet Kuhne (sound and durational performance), Richard Chartier (sound element), i8u & Cédrick Eymenier (audio/visual performance), Monique Jenkinson (video screening), Mem1 (audio/visual performance), A.B. Miner (film screening), Yann Novak (audio performance), Adam Overton (durational performance), Taisha Paggett (durational performance), Semiconductor (video screening), Sublamp (audio/visual performance).

The Torrance Art Museum is located at 3320 Civic Center Drive, Torrance, CA 90503. Call 310.618.6340 for more information.
Outdoors

Noon-5pm

The Hop-Frog Kollectiv
audio performance
Front Entrance

Noon-5pm
Monique Jenkinson
video sceening
Noon-5pm

A.B. Miner
film screening
Gallery One

Noon-5:00
Taisha Paggett
durational performance
Noon-12:45
Richard Chartier
sound dispersion
12:45-1:00
Semiconductor
video screening
1:00-1:20
Sublamp
audio/visual performance
1:30-1:50
Marc Manning
audio/visual performance
2:00-2:20
Jen Boyd
audio performance
2:30-2:50
Mem1
audio/visual performance
3:00-3:20
Yann Novak
audio performance
3:30-3:50
i8u & Cédrick Eymenier
audio/visual performance
4:00-4:20
Frank Bretschneider
video screening
4:30-4:40

Heather Cassils & Kadet Kuhne
collaborartive performance
Gallery Two

Noon-5pm

Jeff Cain & Mark Steger
video/performance installation
Roaming

Noon-5pm
Adam Overton
durational performance
Presence plays with its multiple meanings to contextualize divergent practices by a unique selection of artists all working across a spectrum of time based media, whether it is video, sound, durational performance, or installation. There will be a collection of gestures, words spoken, interplay of light and sound, moments of silence, focus, transgressions, layered meanings and experiences, noises, the sound of breathing and bodies performing tasks, a deeper awareness of the passage of time.

Presence is supported in part by the Canada Council for the Arts.

ABOUT THE ARTISTS

Jen Boyd is a sound artist living in Northern CA. She spends time recording her environment and arranges it into layered soundscapes. In these pieces, some sounds unfold naturally while others are processed. For several years Jen has used contact microphones to explore the textures and timbres in trees and her compositions give depth to these delicate sounds. Although her work mostly relies on ‘natural’ sounds she uses a wide variety of sources to paint sonic pictures for the listener. In future projects, Jen will explore the depths of natural sound and its presentation as art through live performance and installation. Jen strives to spark the interest in people of all ages to listen more closely to the environment they live in everyday.

Frank Bretschneider works as a musician, composer and video artist in Berlin. His work is known for precise sound placement, complex, interwoven rhythm structures and its minimal, flowing approach. Described as “abstract analogue pointillism”, “ambience for spaceports” or “hypnotic echochamber pulsebeat”, Bretschneider‘s subtle and detailed music is echoed by his visuals: perfect translated realizations of the qualities found in music within visual phenomena.

Jeff Cain is an artist who investigates cultural, technological, and natural phenomenon and creates interdisciplinary projects that intervene, remodel, and connects these systems. His work has been presented at the Getty Museum, Los Angeles County Museum of Art, Musee D’art Modern de Ville de Paris, Track 16, LA Freewaves, and many other Southern California venues. He is also the founder and inventor of RHZ Radio, which was nominated for the Prix Ars Electronica in 2005.

Heather Cassils is an artist, stunt person and a body builder who uses an exaggerated physique to intervene in various contexts in order to interrogate systems of power, control and gender. Often employing many of the same strategies used by FLUXUS and guerrilla theater, her method is multidisciplinary and crosses a spectrum of performance, film, drawing, video, photography and event planning. Cassils is a founding member of the Los Angeles based performance group the Toxic Titties.

Richard Chartier, sound and installation artist, is considered one of the key figures in the current of reductionist electronic sound art which has been termed both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself. Chartier’s sound works/installations have been presented in galleries and museums internationally including the 2002’s Whitney Biennial and he has performed his work live across Europe, Japan, Australia, and North America at digital art/electronic music festivals and exhibits.

The Hop-Frog Kollectiv is a Los Angeles/Long Beach based collective focused on experimental arts, political dissent and fever dream realization and are the curators of Thee Dung Mummy, experimental arts gatherings. The Kollectiv formed in 2003 as a medium for experimental artists and musicians to share, create and exhibit their work and has since become a hub of activity for Los Angeles, national and international emerging artists.  HFK has realized performances and exhibits across the US and Europe.  Their newest incarnation of Thee Dung Mummy (Dung Mummy’s Nomadic Transmissions) focuses on outdoor installations and live shows based in the Mojave Desert.   HFK is also known for their intensive drone rituals.

i8u (France Jobin) is a sound/installation/web artist residing in Montreal, Canada. i8u has created solo recordings for nvo (AT), ROOM40 (Australia), bake/staalplaat(Netherlands),as well as many collaborations notably with Goem, Martin Tétreault, David Kristian and recently the album ligne with Tomas Phillips, on the Japanese label, ATAK. i8u’s web work/installations have been shown at Musée National des Beaux-Arts du Québec, Toronto’s Images independent film festival at MIVEAM 06. The AIR Artist-In-\ Residence program in Krems Austria enabled her to create und transit, a sound\ installation set in the cloister of MinoritenKirche in Stein, Austria.

Monique Jenkinson is a multifaceted performing artist whose work places itself in the gaps between dance, theater, drag and performance art. She has created and performed locally and internationally at Yerba Buena Center for the Arts, the de Young Museum, and Trannyshack in San Francisco; the New Museum, Danspace Project, Howl Festival and the Stonewall in New York; the Met Theatre in Los Angeles; the Coachella Festival; Gay Pride in Reykjavik; Supperclub in Amsterdam; and Royal Vauxhall Tavern, Horsemeat Disco and SoHo Revue Bar in London.

Kadet Kuhne is a media artist whose work spans the audiovisual spectrum. With the goal of forming somatic experiences which can prompt visceral responses to sound and movement, Kadet openly exposes the use of technology in her practice by employing fragmented, jump-cut edits and amplifying evidence of sonic detritus. This glitch aesthetic, contrasted with layered ambient reflection, is intended to heighten tensions between motion and stasis: a balanced yet heightened “nervous system” to reflect our own. Trained in jazz guitar in her youth, Kadet became attached to the instinctive nature of improvisation, which led her to the California Institute of the Arts where she studied Composition and Integrated Media. Select exhibitions and performances include the Museum of Art Lucerne, LACMA, Musees de Strasbourg, Yerba Buena Center for the Arts, REDCAT, Museum of Contemporary Art-LA, Not Still Art Festival, San Francisco Arts Commission Gallery, The LAB, Highways Performance Gallery and the New York Underground Film Festival.

Marc Manning is a artist and musician living and working in San Francisco. He has released music under the monikers legend of boggy creek, everything is fine, red weather tigers, and heavy lids. He has performed extensively on the east and west coasts over the past 10 years. Manning is a veteran of several Philadelphia atmospheric bands, the shoe gazer art rock of “the legend of boggy creek” and cave core rock of “everything is fine.” Likewise his visual art has been well exhibited on both coasts.

Mem1 seamlessly blends the sounds of cello and electronics to create a limitless palette of sonic possibilities. In their improvisation-based performances, Mark and Laura Cetilia’s use of custom hardware and software, in conjunction with a uniquely subtle approach to extended cello technique and realtime modular synthesis patching, results in the creation of a single voice rather than a duet between two individuals. Their music moves beyond melody, lyricism and traditional structural confines, revealing an organic evolution of sound that has been called “a perfect blend of harmony and cacophony” (Forced Exposure).

A.B. Miner is an artist, curator, and curatorial assistant at the Hirshhorn Museum and Sculpture Garden. For the Hirshhorn he curated projects with Yoko Ono and Dan Graham and has worked with Smithsonian Artist Research Fellows Runa Islam and Henrique Oliveira. In March of 2010 Miner presented his solo painting show Naked at which Fly 08 was first shown. In spring 2009 he curated Domesticated: Men and the Domestic Interior at Transformer Gallery. In fall 2009 he was awarded a German travel fellowship from the Goethe Institut to spend one month in Berlin in 2010. As an artist he has exhibited extensively and received awards including the D.C. Commission on the Arts and Humanities Young Artist Program Grant and two Artist’s Fellowship Awards. Miner holds an M.F.A. in painting and mixed media from Queens College, CUNY (2000) and a post-graduate certificate in museum studies from the George Washington University (2006).

Yann Novak is a sound artist, composer and designer based in Los Angeles. His compositions have been published by Dragon’s Eye Recordings, The Henry Art Gallery, Infrequency, smlEditions and White_Line Editions. His work utilizes different forms of digital documentation as a point of departure. Through the digital manipulation of these sound and image files, his works serve as a translation from documents of personal experiences into new compositions fueled by the original experience.

Adam Overton is a living composer of experimental music, performance artist, teacher of performance, sound art & multimedia, and a massage therapist based in Los Angeles.

Taisha Paggett is a Los Angeles based choreographer, dancer, teacher, and co-founder of the dance journal project, itch. Her work is inspired by various discourses on the body as an expressive tool and is interested in bridging the sensibility and discourses of both the visual and performing arts.

Semiconductor make moving images which reveal our physical world in flux: cities in motion, shifting landscapes, and systems in chaos. Since 1999, UK artists Ruth Jarman and Joe Gerhardt have worked with digital animation in an attempt to transcend the constraints of time, scale, and natural forces and explore the world beyond everyday experience. Central to these works is the role of sound, as it creates, controls, and deciphers images, exploring resonance through the natural order of things.

Mark Steger is the co-founder and director of osseus labyrint, the preeminent experimental arts entity based in Los Angeles and has performed live in over 100 cities, conducted public workshops, made presentations and attended symposia and broadcast throughout the USA, Canada, Mexico, England, Switzerland, Germany, Austria, Hungary, The Czech Republic, Slovakia, Taiwan, Hong Kong, Australia, New Zealand and over the World Wide Web. Steger’s live performances are experiments that explore the history of the body and its relationship to what it creates. Mark has received numerous awards and grants including a Rockefeller Foundation Multi-Arts Production Grant, a California Arts Council Fellowship, the Durfee Artists Award and 1997 and 2001 Los Angeles Times year end “10 Best” performances lists.

Sublamp is Los Angeles based sound and video artist Ryan Connor. Raised by scientist parents living outside of various national parks in New Mexico, Utah, and Colorado, Ryan developed an early fascination with nature and science that influenced his later work as an artist. Primarily interested in pre-language experience, he uses textural sound and images to explore an intuitive and emotional response to sensory data. His work has been published by Serac (USA), Pehr (USA), SEM (France), Dragon’s Eye Recordings (USA), Friendly Virus (Portugal), Ahora Eterno (Argentina), and soon TRDMRK (USA) and Hibernate Recordings (UK).

ABOUT VOLUME

VOLUME functions as a catalyst for interdisciplinary new media work through exhibitions, performances, events, lectures, and publications. Concentrating on the nexus of music and visual arts practices ranging from the avant-garde to popular culture, VOLUME offers unique opportunities for artists to create and present hybrid works.

Posted on

Montreal 03.10.2010 – Écologie Sonore

March.10.10

Ecologie Sonore

Launch of Web documentary
Wednesday, March 10 – 18:00

at  SAT
1195, boulevard Saint-Laurent à Montréal

on line March 11th 2010

Project presentation, performance by i8u and sounds installations.  Come and listen to the soundscapes and meet the artists behind this project.

Posted on

Montreal 01.21.2010 – The Calendar Project

Crystal House excerpt from January ,The Calendar Project
http://www.calendarproject.ca/en/

Credits : Crystal House

Creation: Tedi Tafel
Dancer: Bill Coleman
Lighting: Yan Lee Chan
Sound: i8u

January 21-22-23.10

The Calendar Project: A year-long, site-specific performance series created by Tedi Tafel

Calendar is a year-long, in situ performance series starting in January 2010 comprised of 12 events – one a month for the entire year. The series draws its inspiration from the seasonal shifts and cycles of the natural world. Each event is closely tied to the time of year in which it will be presented. Calendar takes a variety of forms from the discrete to the elaborate, and will be shown in a diverse array of spaces in Montreal including an industrial warehouse, a backyard garden and an alleyway.

Events vary in length lasting anywhere from mere minutes to several hours occurring at different times of the day. All events are free. calendarproject.ca will be updated and disseminated monthly announcing future events and documenting past ones through images, text and sound.

WHEN: . . . . . January 21-23 between 6 and 9 p.m.
WHERE: . . . . . Espace Jean Brillant
661 Rose de Lima
Montreal, Quebec
Canada
(near metro Lionel Groulx)


January

we enter this wintery space and are stilled
a time of no time, of shadow, hibernation, dream and memory
life is underground, slowed right down
images emerge out of the cold, at times only barely perceptible and light reaches through the darkness

(Tedi Tafel)

This collaborative performance takes the form of a moving installation blending dance, sound, light and video projections. The work will be shown for 3 hours. The public is invited to come and go as they please and to move around the space as they wish. Admission is free.


Credits

Conception/Direction/Video Images: Tedi Tafel
Performance: Leslie Baker, Bill Coleman, Dean Makarenko, Lin Snelling
Sound Environment: Monique Jean, i8u (France Jobin)
Lighting: Yan Lee Chan
Technical Assistance (video): Jonathan Inksetter

for more info: calendarproject.ca

Posted on

New York 10.17.2009 bubblyfish-i8u at the Stone

2009-10-17 New York, NY

October 17.09

Bubblyfish , Haeyoung Kim (gameboy sounds, electronics)
i8u (laptop)
Prosody:

A collaborative performance by Bubblyfish and i8u. Prosody comes from linguistics, the patterns of stress, rhythm and intonation of connected speech. It may reflect various features of the speaker, be it utterance or an emotional state, that may not be encoded by grammar or choice of vocabulary. This performance proposes the idea of prosody in an experimental improvisational musical form.

bubblyfish.com
i8u.com

prosody
bubblyfish | i8u
Time:10:00PM Saturday, October 17th
Location:The Stone

is located at the corner of avenue C and 2nd street
New York, NY

Posted on

Montreal 05.28.2009 – Mutek 2009


Nocturne 2

May 28, 2009 22:00
at the Savoy, Metropolis

* $30.00

presented by 33mag (more below)

i8u | CHiKA
Traverse, 2009, World Premiere

In today’s connected world we have many new methods of collaborating,
and many technical and artistic problems that arise in the process.

These two artists bring this chasm into focus and explore the
possibilities given by these constraints.

This project intersects i8u’s minimal yet powerful sound sculptures and
CHiKA’s geometric minimalist patterns to create a work that expresses
the examination and limitations of itself.

France Jobin aka i8u is a sound/installation/web artist whose work has been released on ROOM40 (AUS), nvo (AU) and recently, a collaboration with Tomas Phillips on ATAK (JP). She has worked with Goem, Martin Tétreault and David Kristian.
http://www.i8u.com

CHiKA is a live media artist working in the international VJ and experimental music scene. Her performances vary from minimalist geometric patterns to unique compositions overflowing with a variety of forms and color.
http://www.imagima.com

Ezekiel Honig | CHiKA
 Clinker
 i8u | CHiKA
Novi_sad
Aun

Artists
Appleblim
Deadbeat & Paul St. Hilaire
Moderat = Modeselektor + Apparat
Mala
Aun
Novi_sad
Clinker
i8u
Ezekiel Honig
Nocturne2

The many factions of dub converge onto one large stage to showcase just how far Jamaica’s roots reggae templates have evolved toward new genres in the hands of some of today’s hottest names.

None other than Skull Disco co-founder APPLEBLIM comes to Montreal for his Canadian debut and a DJ set that showcases the many point sof fusion between UK dubstep and Berlin techno. A seamless blend of echoes, bass, and delays leads us to the heavily anticipated collaboration between Canadian dub-don DEADBEAT and Berlin’s master vocalist of all things dub, PAUL ST. HILAIRE . The collaboration is something of a natural selection for MUTEK, given Deadbeat’s longstanding participation with MUTEK, and the fact that St. Hilaire has also performed at MUTEK events several times over the decade.

Next up, MODESELEKTOR and APPARAT join forces for the Canadian premiere of MODERAT , a stunning live audio-visual production accompanied by the striking video work of PFADFINDEREI . Again, MUTEK has a long history with both acts, as Apparat first appeared here in 2005 and Modeselektor performed here in 2006 and 2008.

And finally, the night winds to a tailspin with the breakneck dubstep assault of the Digital Mystiks’ MALA , in town for a Canadian debut DJ set.

Meanwhile, the SAVOY ROOM fills with the ambient soundscapes of EZEKIEL HONIG , CLINKER , I8U , NOVI_SAD , and AUN .

Posted on

New Orleans 04.19.2009 – Sommeil

April 11.09

beginning at 10:00 pm on Saturday April 11th and ending at 7:00 am on Sunday April 12th

$15 including breakfast.  All participants are asked to provide their own sleeping bag and pillow.
You can also spend meditation time in the Sleep Space on April 11th from noon till 9:00 pm: $5 per hour and $3 per half hour. From 6:00-9:00 pm the gallery will participate in the St Claude Arts District Gallery Opening Saturday. All proceeds benefit Antenna Gallery.

Antenna Gallery
3161 Burgundy St
New Orleans, LA
70117 in the Bywater.

in the heart of the St Claude Arts District.
Tanner Menard, Antenna Gallery and Experimedia Records presents Sommeil: A Concert for Sleep, an international collaborative experiment. Sommeil will be an all-night event beginning at 10:00 pm on Saturday April 11th and ending on Sunday April 12th at 7:00 am.

Participants are asked to slowly fall asleep while live ambient and environmental music is performed through the night by Tanner Menard. i8u’s circadian will  start off the evening, alongside Tanner Menard’s piano recordings and Mathieu Rhulmann’s baby cooing.

Sommeil: A Concert for Sleep will be Menard’s reinterpretation of the sleep concert experiment, first created by Robert Rich in 1982 and will be presented at the Antenna Gallery 3161 Burgundy
The concert will be realized with Rich’s permission and guidance. Sleep concerts are all-night events in which the audience is asked to attend the concert with a sleeping bag and pillow and to fall asleep while a slowly unfolding sonic texture evolves over the course of the night and into the morning. People attending
the event are asked to be willing to sleep during the event or at least to remain silent during the course of the nine hour experience.

Not merely a recreation of Rich’s original idea, Sommeil is a conceptual, global remix of a performance type that addresses one of the most basic functionalities of ambient and environmental sound; music by which to sleep.

In the spirit of remix and the Creative Commons movement, Menard, a Louisiana native, has compiled submissions of audio material for the concert from nearly seventy artists across the globe.
These artists answered a call for submissions marketed online by Experimedia Records which asked for music and field recording to be used, remixed and mashed up during this nocturnal event.
Submissions include drones, found sound, recordings of natural and unnatural environments and synthetic music created on synthesizers and computers. Submitters have included radio scientists,
geologists, psychologists, sound artists, musicians, composers, installation artists as well as several well known figures in the ambient music scene. During the course of the evening, Menard
will remix these sleep submissions into a constantly evolving sonic texture that will lull the audience to sleep. A quad-channel surround sound system will be provided by Piety St Studios for maximum sonic enhancement of the sleep space and ambient video lighting will be provided in the form of a video loop by the internationally acclaimed VJ CHIKA. Experimedia Records has generously agreed to release multiple out takes from this concert on its Internet label under a free Creative Commons license.

Sommeil: A Concert for Sleep will be nine hours of uninterrupted music beginning at 10:00 pm on Saturday April 11th and endingat 7:00 am on Sunday April 12th at Antenna Gallery . Tickets to
the evening event will be $15 and will include a light breakfast at waking time. During the day of April 11th Antenna Gallery will be opening the space to allow people who do not wish to sleep through the night to hear the original submissions from the international community of artists. We are asking $5 per hour toexperience the meditative environment of the sleep space and $3 per half an hour from noon to 9:00 pm on Saturday April 11th.

At 6 pm we will also be participating in the St Claude Gallery Opening that falls on the second Saturday of each month. All proceeds will benefit Antenna Gallery. Please visit tannermenard. archaichorizon.com to follow the event as it unfolds.

CURATOR AND SOUND ARTIST

Tanner Menard was born on September 20th, 1978 the same month that Brian Eno published his essay entitled ‘Ambient Music’. Cosmically connected to this conceptual shift in musical consciousness, Menard’s music has always soared over minimalist and ambient landscapes. At the age of 11 Menard composed his first works for piano and quickly established a reputation as a composer of minimalist music for orchestral forces. His work joe’s last mix’ has been performed around the globe at a number
of distinguished festivals and was released in 2003 on Kafua Records in Japan. In 2002 his sonic world was shaken by his experience working with Naut Human, the well known Curator and label owner at Recombinant Media Labs in San Francisco. There he discovered the world of ambient and experimental electronic music. In 2005 he served as an artist in residence at Arizona State University where he collaborated with Jeph Jerman, Gary Hill and Daniel Bernard Romain for his installation ‘envyronie’ which
combined orchestra, live electronics and desert recordings. His collaboration with Jerman inspired a series of environmentally based works and has subsequently marked the departure from
his classical and experimental backgrounds in favor of a world of ambient landscapes and piano inspired sound meditations. Menard’s music is released on Install Records, Archaic Horizon net
label, Friendly Virus net label, Kafua Records and Experimedia (tbr) and his orchestral music has been published by Loose Filter Music. His music has also appeared on the radio, on tv, in plays,
art galleries and major concert halls across the world and his blog ‘Tanner Menard’ is rapidly gaining international notoriety for such collaborations as Sommeil: A Concert for Sleep and reviews and
interviews with an international pool of artists and label owners.

SUBMISSIONS

Tanner Menard and Experimedia Records have assembled a roster of nearly seventy artists from around the globe including radio scientists, geologists, psychologists, sound artists, musicians, composers, installation artists as well as several well known figures in the ambient music scene. These artists submitted material for Menard to remix during the course of Sommeil: A Concert for Sleep.

Submissions include drones, found sound, recordings of natural and unnatural environments and synthetic music created on synthesizers and computers. A complete list of artists will be available
at the concert and will later be published on Tanner Menard’s blog. Select works, remixed by Menard will appear on a release on Experimedia Records in the months following the event.

VIDEO ARTIST

CHiKA is a graphic designer and a live computer visuals artist working within New York’s expanding cinema community and VJ scene. Her videos implement geometric minimalist patterns and
original graphics in unique, repetitive combinations. She has performed at The Museum of Modern Art, The Hammer Museum, Mutek, The Mapping Festival, Decibel Festival, the Centre d’Art Contemporain Genève , Platform Bohenstrasses, Théâtre Maisonneuve, Asia Contemporary Week, San Francisco
Art Institute, Eyebeam, Monkeytown, The Issue Project, Galapagos Art Space, Tonic, Eyewash as well as private parties, festivals, events, galleries and night clubs. Since CHiKA started performing live in the summer of 2004, she has become very active in the experimental music and video underground scene in NYC. She is a member of the Share community, which is an organization dedicated to supporting collaboration and knowledge exchange in new media communities. The first SHARE evening happened in New York in 2001. There are now about 20 SHARE communities across the world. She was recently featured on Club Chroma (www.Joost.com), Eyewash 3 DVD by Forward Motion Theater and published in Super 10, Art Book in 2008. CHiKA also collaborates with electronic musicians and DJs on various projects. Log Log on to http://www.imagima.com for more information.

GALLERY

Antenna is operated by the artist-run non-profit collective Press Street who’s mission is to promote art and literature in the community through dynamic projects, collaborations and publications.
Antenna is located at 3161 Burgundy St New Orleans, LA70117 in the Bywater.

LABEL

Experimedia is a record label, arts organization, and online record shop based out of Ohio, United States which is involved in the digital and physical publication, promotion, and distribution of
exploratory music and visual arts. The Experimedia catalog covers a broad stylistic palette of exploratory music including ambient, electronica, electro-acoustic, experimental, dance, sound-art, microsound, glitch, avant-garde, abstract, minimalist, and more.

The Experimedia online mailorder shop has recently expanded to include the availability of releases from other select labels and artists. This is intended to make more conveniently available some
of the worlds most innovative experimental music. By including labels from overseas countries such as Japan, England, Germany, Austria, Australia, and many others we intend to make music from
around the globe and within the United States more readily and conveniently available throughout the world. Experimedia also acts as a community based platform for creative and conceptual media projects based upon collaborative research and project development efforts. The projects.experimedia.net domain
and the Experimedia Projects Wiki have been developed to facilitate the collaborative information gathering and organization for these research efforts. The goal is that the Projects Wiki will
become a large resource of relevant information to the exploratory sound and visual arts community as well as a historical account of the collaborative efforts involved with Experimedia related projects.
If you are an artist interested in contributing research datato our Projects Wiki or would like to initiate and curate a project within our framework please feel free to contact Experimedia.