SPELLEWAUERYNSHERDE, INTERPRETATIONS VARIOUS & SUNDRY (CDR by Trans>parent Radiation)
Bresmsstrahlung is a small label which have brought us some nice releases in the past – a small but good catalogue. They also have a sub division called Trans>parent Radiation which consists of MP3s. After a while they are removed from the website and then the material is released as a CDR. The first one is a compilation of re-composed source material taken from found reel to reel recordings of Icelandic a cappella lament songs made in the late 1960s or early 1970’s. Ten composers using this material and they all seem to be from the field of microsound, but they are by no means the least in the field. Fennesz, Roden, Kit Clayton, Taylor Deupree, Takemura, Alejandra & Aeron and Stephan Mathieu – one could wonder why not release this as a real CD. The lament song part is pushed to the back in the most part. The emphasis lies more on the ancient tape hiss and crackle, although some use the faint traces of voices. Most of the time it turns out to be shimmering, humming, crackling and hissing pieces of music. The noise collage played by Nobekazu Takemura is a bit out of place here, or it’s certainly a break with the rest. Some people add their own instruments such as guitars (Fennesz and Josh Russell) but they keep in spirit with the overall sombre and melancholic tone of this release. The Takemura piece is the longest and perhaps also the one that is a bit out of place here. It perhaps breaks the mood but in this case it’s not so great. Otherwise this is a more than excellent compilation with all equally great sorrowful pieces of music, which could have as easily been on a real CD. (FdW)
Address: http://www.bresmsstrahlung-recordings.org
Berlin 01.20.2007 – Share global @ CTM07
SHARE GLOBAL @ CTM.07 (Berlin)
January 29 -30 2007
Program: http://www.clubtransmediale.de/index.php?id=4658
+STREAMING BROADCAST –
SHARE GLOBAL Audio Jam+
Tuesday, January 30th 2007-16:00 (Montreal time)
Montreal Performers:
Jim Bell, i8u, Evans Simard, Carl Aksynczak, Michal Seta … and others
To listen to Share from Berlin on January 30th:
Streaming page
http://www.videographe.qc.ca/share/10.htm
The two day SHARE.MOBILE during CTM.07 brings together SHARE-activists from various locations around the globe: Elsa Vieira, Daniel Vatsky, Eric Redlinger, Daniel Smith, Anton Marini and Keiko Uenishi from SHARE NYC; Marie-Hélène Parant and Katherine Liberovskaya from SHARE Montréal, Chris Noelle from SHARE Berlin (currently in its founding process), Péter Szabó and Alexandra Szeleznyeva from the SHARE group in Budapest, Chris Schuerholz from SHARE in Wiesbaden and others.
Montreal 01.17.2007 – Arts Birthday
Join us for an audio walk
WEDNESDAY, January 17th 2007
ART’S BIRTHDAY
UPGRADE MONTREAL
[[ http://upgrademtl.org ]]
Since the proclamation of Fluxus artist Robert Filliou in 1963, January 17th happens to be Art’s Birthday. Art was thus born 1,000,000 years ago and artists and artist groups everywhere around the globe celebrate this important anniversary by organizing international events and network art happenings, and by eating cake and offering gifts to Art. Every year, Art’s Birthday becomes an occasion for exchange between artists and art events. The Eternal Network grows this way by exploring the telecommunications arts.
This audio-walk will lead us to strange places of psychogeographic
resonance in the city as part of the celebration of Art’s Birthday. We will
begin with hot wine at Oboro and finish with performances organised by
StudioXX.
with audio work from:
I8U
FISHEAD
TIM HECKER
SAIBOTUK
:: 5 pm
Gathering at OBORO, 4001 Berri, suite 301 (tea and hot chocolate wil be served // bring: your mug / thermos !
Interactive installation from Jason E. Lewis, Everything You Thought We’d Forgotten.
:: 5:45 pm
Departure from OBORO for the psychogeographique sound walk, organized by UpgradeMtl, with electronic music of :
i8u, Fishead, Tim Hecker, Saibotuk.
Bring your portable CD ghettoblaster to broadcast the music in public. (don’t forget the batteries!). Cds will be distributed.
:: 6:30 pm
Carré St-Louis with Jasa Baka and Tyr Jami (Parlour Treats) for a short festive performance (**bring birthday hats and flashlights**)
//// Parlour Treats are Jasa Baka and Tyr Jami, an outlandish sister team. They invite you into their outdoor Parlour for an experience of cake. A treat you knew you wanted when you were five but couldn’t reach through to your imaginary world for. Come have a piece, if you can catch it!
:: 7 pm +
Art’s Birthday party at the StudioXX
Tyr Jami performance (cello)
On-line performance by Kelly Andres, virtual resident from Lethbridge, Alberta. Music, cakes, drinks!
avec http://StudioXX.org & http://Oboro.net
==||==
PDF :
[ http://upgrademtl.org/pics/UpgradePress011707.pdf ]
==||==
brought to you by_
tobias, Anik & Sophie
Janvier 2007
[upgrade]
http://theupgrade.sat.qc.ca < http://theupgrade.sat.qc.ca> |
http://www.theupgrade.net < http://www.theupgrade.net>
The Upgrade is an autonomous, international and grassroots organization of
monthly gatherings for digital culture and the technology arts. Upgrade
Montreal is generously supported by the Society for Arts and Technology
[SAT], through networks of the Upgrade International, the various partners
we work with, the artists who donate their time and the personal energies of
its organizer triumvirate of tobias c. van Veen, Sophie Le-Phat Ho & Anik
Fournier.
tobias c. van Veen _ tobias @ upgrademtl.org
Anik Fournier _ anik @ upgrademtl.org
Sophie Le-Phat Ho _ sophie @ upgrademtl.org
f
Diffraction on Vague Terrain (2006)
diffraction | NET | Vague terrain 05 | i8u
Vagueterrain.net the Toronto-based digital arts quarterly, has just
launched its fifth issue: vague terrain 05: minimalism.This issue is
dedicated to an exploration of minimalism and technology through various
texts and multimedia projects which document and explore reductionism.
minimalism in 100 words or less
If there is one thing that is certain about minimalism it is that you need to use less than 100 or more than 5000 words to discuss the subject. We’ve brought together a diverse range of work which explores minimalism through sound, time and space, questions the use of technology, traces genealogy and discusses methodology. Please take some time to explore the body of work we’ve curated. Enjoy!
Greg J. Smith & Neil Wiernik, Toronto
December 2006
This diverse body of work contains contributions spanning multiple
mediums from: aidan baker, bleupulp, clinker, granny’ark, greg j. smith,
gregory shakar, i8u, jan jelinek (interview by greg j. smith), martin
john callanan, michaela schwentner, monolake (interview by corina
macdonald), patrick lichty, steven read and tobias c. van veen.
photo by Mark Hogben
conophthorus resinosae
mesmer’s pepper
tricuspid
de justesse
snow fleas
millapedament
Montreal 11.08.2006 – Les Soirees Exploratoires du Mercredi
i8u and Magali Babin, live on
“Les soirées exploratoires du mercredi”,
Bande à Part’s satellite radio, #93 on SIRIUS
http://www.radio-canada.ca/radio/sirius/
The show Electro, is hosted by Tony Tremblay
with the help of Hélène Prévost and focuses on
exploratory music.
i8u and Magali Babin are the second guests
to appear live on the program while Aimé Dontigny
started off the series this past October.
For those of you who won’t be able to listen to
this live performance, it will be archived on
Bande à Part’s site.
http://www.bandeapart.fm/
Symbiotic on pertin_nce (2006)
New York 09.24.2006 – WFMU – i8u-gal
WFMU New York
Stochastic Hit Parade
Sunday September 24th 2006 – 9pm
i8u | bernhard gal
WFMU will broadcast improv sets by i8u | Bernhard Gal
on Bethany Riker’s Stochastic Hit Parade
Sundays 9pm – Midnight on WFMU 91.1 fm 90.1 fm
The sets were recorded at WFMU’s studio
while i8u | gal were in New York
as part of their summer tour 2006.
Boston 09.01.2006 – Rare Frequency WZBC
WZBC – rare frequency.
Podcast of August 24th 2006 performance
i8u | bernhard gal | yuko nexus6
Rare Frequency
Power. Broadcast Power.
Rare Frequency is a radio show, podcast, and website devoted to experimental, electronic, improv, noise, and quasi-pop music, with the occasional non sequitur thrown in for good measure. The traditional radio program is broadcast (and streamed over the web) every Thursday from 7-10pm EST on WZBC Newton 90.3 FM, a broadcast service of Boston College, as part of its No Commercial Potential (a.k.a. NCP) block of programming.
The show is hosted by Susanna (a.k.a. dj top hush), who has been known to write the odd article and/or review for ‘zines such as Grooves, Signal to Noise, XLR8R, and the Weekly Dig. She also co-curates the experimental music series Non-Event, works a day job at the music distributor Forced Exposure, and enjoys writing about herself in the third person.
Boston 09.01.2006 – Podcast – Rare Frequency of i8u-gal-yuko nexux6
WZBC – rare frequency.
Podcast of August 24th 2006 performance
i8u | bernhard gal | yuko nexus6
Rare Frequency
Power. Broadcast Power.
Rare Frequency is a radio show, podcast, and website devoted to experimental, electronic, improv, noise, and quasi-pop music, with the occasional non sequitur thrown in for good measure. The traditional radio program is broadcast (and streamed over the web) every Thursday from 7-10pm EST on WZBC Newton 90.3 FM, a broadcast service of Boston College, as part of its No Commercial Potential (a.k.a. NCP) block of programming.
The show is hosted by Susanna (a.k.a. dj top hush), who has been known to write the odd article and/or review for ‘zines such as Grooves, Signal to Noise, XLR8R, and the Weekly Dig. She also co-curates the experimental music series Non-Event, works a day job at the music distributor Forced Exposure, and enjoys writing about herself in the third person.
New York 08.30.2006 – Emptiness at Monkey town
Monkey Town August 30th 2006 – 07:30:00
Location
58 N 3rd St
(btw. Kent & Wythe)
Williamsburg, Brooklyn 11211
>>> + <<< + >>> + <<< + >>> + <<< + >>> + <<< + >>>
Bios are listed in order of appearance
o.blaat was named after ‘oblaat’ – flavourless, melting, semi-transparant thin edible paper, exists only to melt and disappear. In Japan, it was used to wrap bitter medicine (esp. for children easy to swallow it), and candies (not to stick together in hot climate.) o.blaat creates environment and situations where sounds being heard, sounds for circumstances, sounds for bones and spines. o.blaat is curious to experiment one’s relationship with sounds. o.blaat is personal, and love to create massive mess to disappear into.
Ilan Katin is an artist specializing in drawings, live video performance and animation. His art work has been published in a variety of print and online publications. His video performances include numerous collaborations and locations in the United Sates and Europe.
As a video performance artist Ilan has provided visual support for a variety of musicians including Shelley Hirsch, DJ Olive, o.blaat, Lance Blisters, Toshio Kajiwara, Aaron Spectre, Becca Schack, Bora Yoon, ErwinMusic, Lukas Ligeti, i8u, RJ Valejo , glomag, BubblyFish, and The Mad Scene. He has also provided vj sets in a variety of locations in New York City including MoMA, Tonic, Galapagos and The Tank.
In 2003 Ilan became an active participant at SHARE, a weekly open jam featuring live audio visual collaborations. His involvement includes the design of the SHARE logo and in 2004 the collaborative conception and design of ‘anyware’, a multi-city network based performance event during the ‘New Sounds’ festival at The Kitchen in New York City.
Other curatorial efforts include two events at Monkey Town, a four video projection and 5.1 surround sound venue in Williamsburgh, NYC. The first ‘Connect The Dots’ (Nov. 2005) and the second ‘Pure Mixed’ (March, 2006).
After a few impromptu performances with Lance Blisters in early 2004 Ilan began working closely with the one man midi guitar performer Geoff Matters. Together they have been developing a synchronized audio visual performance that ROCKS YOUR FACE OFF!
For even less information then there is here go to http://www.ilankatin.com/
i8u:
France Jobin aka i8u (b. 1958) is a sound / installation / web artist residing in Montreal, Canada. i8u’s audio art can be qualified as “sound-sculpture”. It reveals powerful, opaque and complex sound environments where analog and digital meet. Her installation/web art can be said to follow a parallel path, incorporating both musical and visual elements.
I8u has created solo recordings for (bake/staalplaat Amsterdam) (piehead Toronto) (oral Montreal) as well as collaborative works with Martin Tétreault, David Kristian and Tomas Phillips. She has been included in compilations on ATAK (Japan), bremsstrahlung (USA) and Mutek (Canada).
She has participated in various music and new technology festivals across Canada, Europe and the US, such as Silophone (Montréal, 2000), Mutek (Montréal, 2001, 2004, 2005), Le Festival de Musique Actuelle de Victoriaville (2002), Ver Uit de Maat (Rotterdam, 2002), SEND + RECEIVE (Winnipeg, 2003, 2005), Les Digitales (Bruxelles, 2004 )Club Transmediale (Berlin, 2004) as well as a soundtrack by Bubblyfish and I8U for the movie Swordswoman of Huangjiang / Huangjiang Nuxia presented at the Film Society of Lincoln Center’s Walter Reade Theater Festival : Heroic Grace : The Chinese Martial Arts Film.
i8u’s web work and installations have been shown at Musée national des beaux-arts du Québec, Toronto’s Images independent film festival and at the Manifestation Internationale Video et Art Electronique 06.
Her work continues to evolve as technologies enable her to create in new environments
Chika Iijima is a live computer visuals artist working within New York’s
expanded cinema community and VJ scene. Her videos implement geometric
minimalist patterns and original graphics in unique, repetitive
combinations. Chika works exclusively with Module8 (from Gragecube in
Switzerland), software that, as a Beta tester, she was among the first to
use in the USA.
Chika has performed at the Museum of Modern Art, The Mapping Festival
(Geneva), the Bushwick Art Project and the clubs Galapagos and Tonic, as
well as private parties, festivals, events, galleries and night clubs.
Chika was born and raised in Japan and moved to New York in the early 90s,
working as a graphic designer until she began her experiments in
time-based media. Chika also collaborates with electronic musicians and
DJs on several projects.
Log on to http://www.chiklet.com for more information.
Bernhard Gal :
Bernhard Gal (a.ka. gal) was born in Vienna, Austria in 1971. He creates electro-acoustic music as well as compositions for acoustic instruments. In intermedia art projects and sound installations, he intends to alter perceptions, mainly by shaping acoustic, visual and spatial elements. His work has been presented in concerts, exhibitions and installations across the world. Since 1998, Gal has also created audio-architectural installations in collaboration with the architect Yumi Kori. As a (laptop) musician, he performs solo concerts and has worked with numerous musicians. Gal runs the record label Gromoga Records and is director of the Austrian art organization “sp ce”. When not abroad, he divides his time between Vienna and Berlin.
Gal’s CD releases include: CD ‘bestimmung new york’ (Durian, 1999); CD ‘Defragmentation/blue’ (Plate Lunch, 2000); CD ‘relisten’ (Intransitive, 2001); CD ‘Hinaus:: In den, Wald.’ (Klanggalerie, 2004); Book & Audio CD ‘Installations’ (Kehrer Verlag Heidelberg, 2005), CD ‘going round in serpentines’ (with Kai Fagaschinski; Charhizma Records, 2005), CD ‘Installations’ (Gromoga, 2005).
Directions:
From the L Train:
1. Exit at the Bedford stop (the 1st stop in Brooklyn).
2. Walk 4 blocks south on Bedford,
3. Make a right on N. 3rd St. (west)
4. Walk an additional 2 and 1/2 (west) on N 3rd. Monkey Town is halfway down the block on the left.
always check schedule/route re: train/bus with http://mta.info