{"id":935,"date":"2007-07-21T04:03:39","date_gmt":"2007-07-21T04:03:39","guid":{"rendered":"http:\/\/w174.i8u.com\/?p=935"},"modified":"2010-03-30T01:24:57","modified_gmt":"2010-03-30T01:24:57","slug":"review-by-massimo-ricci-touching-extremes-2","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=935","title":{"rendered":"Review &#8211; Extract, Portrait of Soundartists(nvo) 2007 &#8211; by Massimo Ricci, touching extremes"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/w174.i8u.com\/wp-content\/uploads\/2007\/08\/extract_coverkl-e1269815967337.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full  wp-image-1647\" style=\"border: 1px solid black;\" title=\"extract_coverkl\" src=\"https:\/\/i0.wp.com\/w174.i8u.com\/wp-content\/uploads\/2007\/08\/extract_coverkl-e1269815967337.jpg?resize=100%2C147\" alt=\"\" width=\"100\" height=\"147\" \/><\/a><\/p>\n<p>EXTRACT (2CD + book by Non Visual Objects)<\/p>\n<p>The thought of having passed a whole life transferring  tapes to CD and DVD only to clutch at flies at the end is enough to  think of myself as a cretin but hey, one has to find something to &#8220;enjoy  the passage of time&#8221;, as James Taylor would have it. Seriously, once  upon a time I could only have dreamed about a honest publication  containing news and pictures about artists whose music I follow and  mostly respect, and that in this case are sonically represented by two  CDs containing tracks that they recorded for this special occasion.<br \/>\nThe names in question are Keith Berry, Richard Chartier, Taylor Deupree,  Heribert Friedl, Richard Garet, Andy Graydon, Bernhard G\u00fcnter, John  Hudak, i8u, Dean King, Dale Lloyd, Roel Meelkop, Will Montgomery, Tomas  Phillips, Steve Roden, Jos Smolders, Steinbr\u00fcchel, Nao Sugimoto, Asmus  Tietchens, Toshiya Tsunoda, Ubeboet, Michael Vorfeld.<\/p>\n<p>Every chapter presents an interview or some personal considerations by  the artist about his own work and his\/her relationships with other  members of the same community. Most of them describe their approach and  influences, others let drawings and photographs do the speaking while  only a few &#8211; like Keith Berry, whose splendid track opens the first disc  &#8211; report about the intimate sensations that unconsciously introduced  them to certain types of withdrawn awareness. It is of course very  interesting to know how these people have reached goals while still  struggling to develop new means to synthesize determinate conclusions,  but it&#8217;s equally nice reading about a man like Asmus Tietchens, who  distances himself from most everything while being capable of producing  music whose level of efficacy on the perceptive system is portentous to  say the least.<\/p>\n<p>The discs contain a lot of great moments, the perfect means to  complement a very useful reading, and there is no actual sense in  defining a &#8220;best of&#8221;. But, since you asked, Berry, Deupree, Lloyd,  Roden, Tietchens and Ubeboet are the tracks that I liked in particular,  and it was not an easy choice. What I really suggest is using both the  book and the CDs like a breviary: open your windows, turn the volume up,  let the sounds mix and read a few pages. Everything will make sense  then.<br \/>\n(massimo ricci, touching extremes)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For a label named Nonvisualobjects, issuing a book would seem an incomprehensible move. But, as Heribert Friedl and Raphael Moser explain in the introduction, they did it just in case that &#8220;the inevitable decay of digitally stored media&#8221; cancels every trace of this kind of art and culture.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[227],"tags":[267,270,361,241,175,266,91,176,156,257,160,195,114,104,69],"class_list":["post-935","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-asmus-tietchens","tag-extract","tag-extract-portrait-of-soundartists","tag-frans-de-waard","tag-heribert-friedl","tag-jos-smolders","tag-nonvisualobjects","tag-raphael-moser","tag-richard-chartier","tag-richard-garet","tag-roel-meelkop","tag-steve-roden","tag-taylor-deupree","tag-tomas-phillips","tag-vienna"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=935"}],"version-history":[{"count":11,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/935\/revisions"}],"predecessor-version":[{"id":937,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/935\/revisions\/937"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}