{"id":5739,"date":"2018-04-07T21:59:38","date_gmt":"2018-04-07T21:59:38","guid":{"rendered":"https:\/\/www.francejobin.com\/?p=5739"},"modified":"2019-01-05T23:32:03","modified_gmt":"2019-01-05T23:32:03","slug":"intrication-no-916-stray-landings","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=5739","title":{"rendered":"Intrication No. 916 &#8211; Stray Landings (UK)"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5710\" src=\"https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?resize=300%2C302&#038;ssl=1\" alt=\"\" width=\"300\" height=\"302\" srcset=\"https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2018\/02\/intrication-thumb-1.png?resize=100%2C100&amp;ssl=1 100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Intrication <a href=\"https:\/\/no-ware.bandcamp.com\/album\/intrication\">No.916<\/a>| &nbsp; CD-Digital | February 2018<\/p>\n<p class=\"p1\"><span class=\"s1\">France Jobin\u2019s latest work,&nbsp;<i>Intrication<\/i>, takes its cues from aspects of quantum theory I\u2019m not going to pretend to understand with much coherence. In essence, the album looks at a process known as \u2018quantum entanglement\u2019; when particles interact in such a way that the quantum state of each cannot be described without reference to the other. The album puts the tiniest fragments under the microscope, revealing within them kaleidoscopic expanses.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Despite the fact&nbsp;<i>Intrication<\/i>&nbsp;explores these scientific complexities, it could equally be replicating religious or near-death experiences. \u2018m\u2019 is a good example of this reverent quality; like an interlude from a cLOUDDEAD track stretched to the extreme. \u201803V\u2019 follows a similar mood, delicate sun-blushed washes of ambience lightly brushing past. Playing into France\u2019s concept for the album, this track forms part of a larger picture. The \u2018V\u2019 stands for \u2018vignette\u2019, and \u201801V\u2019 to \u201804V\u2019 are interspersed between the rest of the tracks, acting as a familiar motif throughout.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">While these act as palette cleansing interludes, the tracks between cover more wide-ranging territory. One of the albums greatest nuances is the combination of natural and synthetic tones. Take \u2018graviton\u2019 for example, a glorious combination of warm, expansive dub-ambience and microcopic static pulses. Perhaps the crux of&nbsp;<i>Intrication<\/i>, \u2018e-\u2018, is another case in point. Delicate chimes ring across the stereo field, gentle reverberations rising and falling abruptly in the backdrop. These resonant twinkles are eventually met by undulating low-end structures, the chimes dissolving into itching twitches of static.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">It\u2019s fitting&nbsp;<i>Intrication<\/i>&nbsp;sees its release on Material Object and Atom\u2122\u2019s \u2018No.\u2019 label. Throughout his own work Atom\u2122 has explored similar mediations between the scientific and the psychedelic (take a listen to his mid-90s DATacide project for example). Speaking with France about her interpretation of quantum entanglement through the album, she discussed applying the same concept to the relationship between sound and our perception of it. At this point the question becomes almost a philosophical one; as we are presented with the possibility that each of our perceptions may differ, although still pertaining to the same \u2018real world\u2019 sound. Whatever our sensory differences might be however, there is a joyous sense of wonder and cosmic discovery to be found throughout&nbsp;<i>Intrication<\/i>; a considered tribute to the unknown.<\/span><\/p>\n<p>Theo Darton Moore (February 2018) <a href=\"http:\/\/straylandings.co.uk\/reviews\/intrication-france-jobin\">Stray Landings<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intrication No.916| &nbsp; CD-Digital | February 2018 France Jobin\u2019s latest work,&nbsp;Intrication, takes its cues from aspects of quantum theory I\u2019m not going to pretend to understand with much coherence. In essence, the album looks at a process known as \u2018quantum entanglement\u2019; when particles interact in such a way that the quantum state of each cannot &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.francejobin.com\/?p=5739\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Intrication No. 916 &#8211; Stray Landings (UK)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[227],"tags":[848,859,797],"class_list":["post-5739","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-intrication","tag-no","tag-stray-landings"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/5739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5739"}],"version-history":[{"count":4,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/5739\/revisions"}],"predecessor-version":[{"id":5971,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/5739\/revisions\/5971"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}