{"id":4837,"date":"2016-01-15T18:17:02","date_gmt":"2016-01-15T18:17:02","guid":{"rendered":"https:\/\/www.francejobin.com\/?p=4837"},"modified":"2016-06-13T23:44:14","modified_gmt":"2016-06-13T23:44:14","slug":"escuchas-moma-medellin","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=4837","title":{"rendered":"ESCUCHAS – MOMA Medellin"},"content":{"rendered":"

\"Final<\/a><\/p>\n

P Orbital released on LINE<\/span><\/a> (Valence, LINE_054)\u00a0will be part of the first multichannel sound art exhibit ESCUCHAS at the\u00a0Museum of Modern Art<\/span><\/a>\u00a0\u00a0in\u00a0Medellin, Columbia starting, December 2nd 2015.<\/span><\/p>\n

ESCUCHAS (Listenings) is a new sound art exhibition curated by Miguel Isaza<\/span><\/a>.<\/p>\n

In the contemporary context, sound art arises\u00a0as a space\u00a0that welcomes sound and the act of listening to it; also serving as a critical device aimed at the dominant tendency to see, think and touch. In this type of artistic process, sound is the central element and method of aesthetic, sensory, material and conceptual analysis. Elusive to closed definitions, it finds its own niche in practice, especially in the listening act and in artistic manifestations such as\u00a0sculpture, installation, performance and composition.<\/span><\/p>\n

Sound<\/b> is a fundamental element of our vital experience, although often ignored in regards to the attention and thoughtfulness\u00a0we put into it. As an artistic medium, technique, process and focus, sound has been present in the music discourse for millennia, but it is just recently when, hand-in-hand with technological exploration,it finds new directions and vindicates itself as a creation space on its own right. \u00a0Even if sound art is produced by and incorporated into non-electronic media like sculpture and installation, it is in fact through the processes of environmental sound recording and digital manipulation of sounds, objects and spaces, where\u00a0the possibilities to work turn to be\u00a0rich, taking on, often, a path that goes back and forth from the act of listening.<\/span><\/p>\n

To listen<\/b> is, within this context, silence and stillness. It is paying attention to the shapes that sounds might take, and from there, opening up to new dimensions. The act of listening is silent and invisible; it implies a method of being closer to sound but also an attitude of meditation, imagination and creation of realities that come from the experience of sound itself and its\u00a0relations, thus playing\u00a0a role that transcends the\u00a0audible in order to\u00a0relate to other aspects of human activity, such as language, perception, time and space, matter, affects, emotion, heritage, culture, politics, economy, and ecology.<\/span><\/p>\n

Escuchas<\/i><\/b>\u00a0(listenings<\/i>) is an exhibition on par with the aforementioned plurality of processes and manifestations of sound artistic processes. It\u00a0is a selection of audio works, twelve in total, created as multi-channel pieces, and specially adapted by each artist for being presented in LAB3, played continuously all day long. The works directly reflect upon the incidence of sound in the aesthetic values of visual arts such as space, form, surface, texture, body, matter, concept, which are directly questioned from sonic aspects such as transience, ubiquity, invisibility, vibration, and listening.<\/span><\/p>\n

The selection of works aims to explore\u00a0sound as an independent artistic dimension, valid in its own right, hence\u00a0providing a space for immersion in the act of listening where stillness, silence and meditation are welcome. The LAB3 presents itself as a place that is not experienced in a single visit, but as an intimate space for an ongoing dialogue, where consciousness expands thanks to the outside-inside sounds, where the visitor is incited\u00a0to enter and reenter over and over again.<\/span><\/p>\n

ecos.eter-lab<\/a><\/span><\/p>\n

Artists<\/a><\/span>\u00a0on display<\/b><\/span><\/p>\n

Alejandro Cornejo (Peru) | sonodoc.org\/alejandro-cornejo-montibeller<\/span><\/a><\/span><\/p>\n

Budhaditya Chattopadhyay (India) | budhaditya.org<\/span><\/a><\/span><\/p>\n

David Velez (Colombia) | davidvelezr.tumblr.com<\/span><\/a><\/span><\/p>\n

Edu Comelles (Spain) | educomelles.com<\/span><\/a><\/span><\/p>\n

Perletta Fabio (Italy) | fabioperletta.it<\/span><\/a><\/span><\/p>\n

France Jobin (Canada) | francejobin.com<\/span><\/a><\/span><\/p>\n

John Grzinich (United States) | maaheli.ee<\/span><\/a><\/span><\/p>\n

Manrico Montero (Mexico) | manricomontero.com<\/span><\/a><\/span><\/p>\n

Robert Curgenven (Australia) | recordedfields.net<\/span><\/a><\/span><\/p>\n

Simon Whetham (UK) | simonwhetham.co.uk<\/span><\/a><\/span><\/p>\n

Yann Novak (United States) | yannnovak.com<\/span><\/a><\/span><\/p>\n

Yannick Dauby (France) | yannickdauby.com<\/span><\/a><\/span><\/p>\n

Opening: December 2 \/ 6:30 pm<\/b><\/span><\/p>\n

<\/div>\n
<\/div>\n
<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

P Orbital released on LINE (Valence, LINE_054)\u00a0will be part of the first multichannel sound art exhibit ESCUCHAS at the\u00a0Museum of Modern Art\u00a0\u00a0in\u00a0Medellin, Columbia starting, December 2nd 2015. ESCUCHAS (Listenings) is a new sound art exhibition curated by Miguel Isaza. In the contemporary context, sound art arises\u00a0as a space\u00a0that welcomes sound and the act of listening … <\/p>\n

Continue reading “ESCUCHAS – MOMA Medellin”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[792,755,791],"class_list":["post-4837","post","type-post","status-publish","format-standard","hentry","category-installations","tag-escuchas","tag-miguel-isaza","tag-moma-medellin"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/4837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4837"}],"version-history":[{"count":3,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/4837\/revisions"}],"predecessor-version":[{"id":4983,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/4837\/revisions\/4983"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}