{"id":3257,"date":"2010-10-10T21:36:28","date_gmt":"2010-10-10T21:36:28","guid":{"rendered":"http:\/\/www.i8u.com\/?p=3257"},"modified":"2010-10-10T22:12:24","modified_gmt":"2010-10-10T22:12:24","slug":"michelangelo-antonioni-trilogy-and-epilogue-on-and_oar","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=3257","title":{"rendered":"Michelangelo Antonioni – Trilogy And Epilogue on and\/oar"},"content":{"rendered":"

\"\"<\/a><\/p>\n

The third and perhaps final project in the film director series which began with
\n“Andrei Tarkovsky – Another Kind Of Language” and “Yasujiro Ozu –
\nHitokomakura”. “Michelangelo Antonioni – Trilogy And Epilogue” focuses upon
\nthe Italian auteur’s landmark “tetralogy” of films L’Avventura (1960), La Notte
\n(1961), L’Eclisse (1962) and IlDeserto Rosso (1963).<\/p>\n

Antonioni was known for not being very keen to use music in his films,
\npartially because he wanted the films to tell their stories free from “additional
\ngloss”. Therefore music was sparsely used – if at all. Antonioni considered the
\nnatural sounds or “background noises” of a film to be of enormous importance,
\nand considered them to be the “true music” of a film. Obviously Antonioni’s
\nview resonates with and\/OAR since environmental sound has always been it’s
\nmain focus, and is one of the reasons why he was chosen for this project over
\nother film directors. Composer Giovanni Fusco, whose music is (more or less)
\nfeatured in most of Antonioni’s films from the late 1950s to the early ’60s said,
\n“the first rule for any musician who intends to collaborate with Antonioni, is to
\nforget that he is a musician!”<\/p>\n

Yet, there is another composer who Antonioni worked with, that this project
\nseeks to acknowledge and pay subtle homage to in addition to the director
\nhimself; because if it were not for his inspirational and pioneering minimal
\nelectronic music featured in “Deserto Rosso”, this project might not have
\ncome together at all: Vittorio Gelmetti. Gelmetti’s electronic work consistently
\ncame to mind during the planning stages of this project, and his influence can
\nindeed be heard throughout this release.<\/p>\n

CD 1<\/p>\n

01. TYLER WILCOX & COREY FULLER \u00a07:05
\n02. OLIVIA BLOCK & ADAM SONDERBERG \u00a06:37
\n03. MARC BEHRENS \u00a06:24
\n04. ROEL MEELKOP \u00a06:06
\n05. ADAM SONDERBERG \u00a02:14
\n06. J. WINSTON PHILLIPS \u00a06:17
\n07. ANTTI RANNISTO \u00a03:40
\n08. BEN OWEN \u00a06:32
\n09. LAWRENCE ENGLISH \u00a05:08
\n10. ASHER \u00a06:30
\n11. PALI MEURSAULT \u00a0(with Ici-M\u00eame) \u00a06:36
\n12. EKG \u00a0(Kyle Bruckmann & Ernst Karel) \u00a07:46<\/p>\n

CD 2<\/p>\n

01. DALE LLOYD \u00a01:27
\n02. JUAN JOS\u00c9 CALARCO \u00a04:51
\n03. RICHARD GARET \u00a06:57
\n04. ALAN COURTIS \u00a04:13
\n05. LUIGI TURRA \u00a06:11
\n06. I8U \u00a06:17
\n07. STEINBR\u00dcCHEL \u00a06:54
\n08. GABRIEL PAIUK \u00a06:52
\n09. JASON KAHN \u00a05:33
\n10. FHIEVEL \u00a06:02
\n11. TOMAS PHILLIPS \u00a07:07
\n12. MARIHIKO HARA \u00a04:04<\/p>\n

TOTAL TIME: 2 hours, 17 minutes and 12 seconds.<\/p>\n

buy on and\/oar<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The third and perhaps final project in the film director series which began with “Andrei Tarkovsky – Another Kind Of Language” and “Yasujiro Ozu – Hitokomakura”. “Michelangelo Antonioni – Trilogy And Epilogue” focuses upon the Italian auteur’s landmark “tetralogy” of films L’Avventura (1960), La Notte (1961), L’Eclisse (1962) and IlDeserto Rosso (1963). Antonioni was known … <\/p>\n

Continue reading “Michelangelo Antonioni – Trilogy And Epilogue on and\/oar”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[89,101],"tags":[521,528,516,523,447,524,300,526,531,530,522,403,527,164,529,520,532,517,519,525,257,160,303,104,518],"class_list":["post-3257","post","type-post","status-publish","format-standard","hentry","category-compilations","category-discography","tag-adam-sonderberg","tag-alan-courtis","tag-and_oar","tag-antti-rannisto","tag-asher","tag-ben-owen","tag-dale-lloyd","tag-ekg","tag-fhievel","tag-gabriel-paiuk","tag-j-winston-phillips","tag-jason-kahn","tag-juan-jose-calarco","tag-lawrence-english","tag-luigi-turra","tag-marc-behrens","tag-marihiko-hara","tag-michelangelo-antonioni","tag-olivia-block-adam-sonderberg","tag-pali-meursault","tag-richard-garet","tag-roel-meelkop","tag-steinbruchel","tag-tomas-phillips","tag-tyler-wilcox-corey-fuller"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3257"}],"version-history":[{"count":6,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3257\/revisions"}],"predecessor-version":[{"id":3266,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3257\/revisions\/3266"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}