{"id":3166,"date":"2010-07-09T00:42:51","date_gmt":"2010-07-09T00:42:51","guid":{"rendered":"http:\/\/www.i8u.com\/?p=3166"},"modified":"2010-07-09T00:42:51","modified_gmt":"2010-07-09T00:42:51","slug":"review-physical-absent-tangible-contour-editions-giuseppe-angelucci-spiritual-archives","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=3166","title":{"rendered":"review – physical, absent, tangible (contour editions) – Giuseppe Angelucci, Spiritual Archives"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Physical, Absent, Tangible, i8u, Christopher Delaurenti, Gil Sans\u00f3n and Brian Mackern & Gabriel Galli –<\/p>\n

Thursday,\u00a0 July 8th 2010<\/p>\n

Five names selected for the first title in CD format on “Contour Editions”, relatively young label run by Richard Garet.
\nThe catalogue also includes a section devoted to online releases and another one related to visual elaborations.
\nJust a year ago Richard (acclaimed sound artist who enjoys high esteem and needs no further introduction – his discography here<\/a>) chose to carry out the project of a record label, a good place where to amplify his visions, a laboratory of new extensions able to represent his personal concepts of aural perception.
\n\u201cPhysical, Absent, Tangible\u201d is an excellent starting point, formed by contributions which promptly succeed in materializing Garet\u2019s ambitions.<\/p>\n

Canadian composer i8u (see here<\/a>) opens the disc: \u201cRarefaction\u201d is a long, bumpy navigation constellated by short interruptions and abnormal signals which interfere with the main theme. Quite nonlinear, progressively unpredictable, it evolves into delicate shades of sound, randomly hit by sinewaves.
\nMore density in the second half, a sinister landscape as background, some insertions, processed lines, always in a whisper. Great assemblage and stratification of layers.<\/p>\n

Seattle based phonographer Christopher DeLaurenti provides the second and third track. \u201cSigil\u201d wiggles between noise-oriented iterations and sombre tonalities; also noticeable are whirling effects, employed to emphasize the tones. Some passages are heavily affected by manipulations, some patterns deftly juxtaposed, the whole gives an idea of expansion.
\nA negligible gap leads to \u201cNictating\u201d, whose break-in is truly disruptive: a resounding rumble and measured impulses rush in parallel, immutable, beating time, for some moments. A slight change of scenery follows, elements of variability are added, all instances become almost imperceptible, the depth of field more palpable.<\/p>\n

The next eight tracks come from Venezuelan Gil Sans\u00f3n (essayist and composer, meaningful presence in the project EA, shared with Garet, Owen, Arno, Graydon and Gon\u00e7alves). Eight movements as product of digital sequences and raw recordings, imprints of musique concr\u00e8te, sketches of organic shapes. Gil uses effective techniques that transpose the listener into open-ended spaces, by (de)structuring the visible: a cinematic (re)construction of familiar places we will never visit.<\/p>\n

A weather event (the Santa Rosa storm) as primary source for the last track. Brian Mackern & Gabriel Galli (both from Uruguay) deal with\/manage electromagnetic phenomena occurred on the occasion: interferences picked up by radio reception systems are connected with morse code blips, vocal registrations and looped interludes. The piece has a striking impact, passes through phases of transformation, reaches unexpected levels of outspoken melody.<\/p>\n

Collection of works substantially in line with the strategies pursued by Garet, despite a strong and variegated personality of the contributors, which offers exciting prospects for the future of the label.<\/p>\n

Label: Contour Editions
\nCat. #: ce.cd_0001
\nFormat: CD-R
\nRelease date: 02\/2010<\/p>\n

Tracklist:
\n01 – i8u – Rarefaction (11:31)
\n02 – Christopher DeLaurenti – Sigil (05:25)
\n03 – Christopher DeLaurenti – Nictating (11:00)
\n04 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 1 (02:59)
\n05 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 2 (03:41)
\n06 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 3 (02:15)
\n07 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 4 (04:20)
\n08 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 5 (00:43)
\n09 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 6 (01:26)
\n10 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 7 (01:09)
\n11 – Gil Sans\u00f3n – La Monta\u00f1a Se Ha Ido 8 (02:58)
\n12 – Brian Mackern & Gabriel Galli – 34s56w \/ Temporal De Santa Rosa (14:24)<\/p>\n","protected":false},"excerpt":{"rendered":"

Physical, Absent, Tangible, i8u, Christopher Delaurenti, Gil Sans\u00f3n and Brian Mackern & Gabriel Galli – Thursday,\u00a0 July 8th 2010 Five names selected for the first title in CD format on “Contour Editions”, relatively young label run by Richard Garet. The catalogue also includes a section devoted to online releases and another one related to visual … <\/p>\n

Continue reading “review – physical, absent, tangible (contour editions) – Giuseppe Angelucci, Spiritual Archives”<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[227],"tags":[254,252,258,255,253,279,369,257,476],"class_list":["post-3166","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-brian-mackern","tag-christopher-delaurenti","tag-contour-editions","tag-gabriel-galli","tag-gil-sanson","tag-giuseppe-angelucci","tag-physical-absent-tangible","tag-richard-garet","tag-spiritual-archives"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3166"}],"version-history":[{"count":1,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3166\/revisions"}],"predecessor-version":[{"id":3167,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3166\/revisions\/3167"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}