{"id":3084,"date":"2010-05-10T23:28:47","date_gmt":"2010-05-10T23:28:47","guid":{"rendered":"http:\/\/www.i8u.com\/?p=3084"},"modified":"2010-05-30T17:46:26","modified_gmt":"2010-05-30T17:46:26","slug":"und-transit-on-nvo-022-2010","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=3084","title":{"rendered":"und transit on NVO 022 (2010)"},"content":{"rendered":"

\"\"<\/a><\/p>\n

NVO<\/a> 022 christophe charles \/ i8u
\nunter den linden \/ und transit
\non nonvisuelobjects<\/p>\n

unter den linden<\/p>\n

The \u201cGrundton\u201d of this 30-minute composition is the recording of the concert given at SND STUDIOS SHEFFIELD (UK) in March 2009, entitled \u201cWhy is there something rather than nothing?\u201d by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles \u2013 his last days were darkened by breathing difficulties, hence the overall presence of the \u201cwind\u201d. The last five minutes were composed in 1987 with telephone bells, a silo and a Spanish garbage truck, under the name \u201cunter den linden\u201d. The piece is not related with Berlin, but with Jules Massenet\u2019s \u201cSous les tilleuls\u201d (from \u201cScenes alsaciennes\u201d where bells are heard in a distance and thus modified by the wind), and evokes a peaceful atmosphere just before the bombs begin to fall.<\/p>\n

Christophe Charles, September 2009<\/p>\n

—
\nThis world of ours is one relative world. Any number of other possible or actual worlds are conceivable. Each such world is able to reflect all the others without ceasing
\nto be the real world that it is of itself.<\/p>\n

Nishitani Keiji<\/p>\n

und transit<\/p>\n

The conceptual framework of \u201cund transit\u201d was conceived while taking part in a 3 months artist residency in Krems, Austria (2008\/09). While in transit (daily walks) to my studio, I was inspired by a particular passageway in Minoritenplatz.
\nLike most passageways, which are a means to an end \u2013 and are rarely treated as an end in itself \u2013 I was immediately struck by the loneliness and practicality of this space as well as the capacity of the users to ignore it on a daily basis. During the course of my residency I collected a number of field recordings in and around Krems, in order to create a series of soundscapes based on Minoritenplatz\u2019s sound of emptiness through the means of a quadraphonic installation.
\nThese compositions represent some of the pieces composed for \u201cund transit\u201d.<\/p>\n

i8u (France Jobin)<\/p>\n

—
\nFollow your bliss.<\/p>\n

Joseph Campell<\/p>\n

+<\/p>\n

NVO 021<\/div>\n
Tim Blechmann \/ Seijiro Murayama<\/div>\n
347<\/div>\n
\"\"<\/a><\/div>\n
\n
NVO 023<\/div>\n
asher\u00a0\/ fourm
\nselected passages\u00a0\/ set.grey<\/div>\n
\"\"<\/a><\/div>\n
all on nonvisuelobjects.com<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

NVO 022 christophe charles \/ i8u unter den linden \/ und transit<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[101,84],"tags":[447,453,448,175,91,176,446,445,449,69],"class_list":["post-3084","post","type-post","status-publish","format-standard","hentry","category-discography","category-solo","tag-asher","tag-chrisrophe-charles","tag-fourm","tag-heribert-friedl","tag-nonvisualobjects","tag-raphael-moser","tag-seijiro-murayama","tag-tim-blechmann","tag-und-transit","tag-vienna"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3084"}],"version-history":[{"count":12,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3084\/revisions"}],"predecessor-version":[{"id":3122,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/3084\/revisions\/3122"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}