{"id":1603,"date":"2010-03-27T17:59:24","date_gmt":"2010-03-27T17:59:24","guid":{"rendered":"http:\/\/w174.i8u.com\/?p=1603"},"modified":"2010-04-01T03:20:12","modified_gmt":"2010-04-01T03:20:12","slug":"review-physical-absent-tangible-on-contour-editions-by-jim-at-aquarius-records-in-sf","status":"publish","type":"post","link":"https:\/\/www.francejobin.com\/?p=1603","title":{"rendered":"Review &#8211; physical, absent, tangible (Contour Editions) 2010 &#8211; by Jim at Aquarius Records in SF"},"content":{"rendered":"<div id=\":52\">\n<div>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><a href=\"https:\/\/i0.wp.com\/w174.i8u.com\/wp-content\/uploads\/2010\/03\/pat_front_cover_sm.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2024\" title=\"pat_front_cover_sm\" src=\"https:\/\/i0.wp.com\/w174.i8u.com\/wp-content\/uploads\/2010\/03\/pat_front_cover_sm.jpg?resize=230%2C230\" alt=\"\" width=\"230\" height=\"230\" srcset=\"https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2010\/03\/pat_front_cover_sm.jpg?w=230&amp;ssl=1 230w, https:\/\/i0.wp.com\/www.francejobin.com\/wp-content\/uploads\/2010\/03\/pat_front_cover_sm.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/a><strong>V\/A<\/strong><\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.1&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"> <strong><em>Physical, Absent, Tangible<\/em><\/strong><\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.2&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"> <strong>(Contour Editions) <\/strong><\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.3&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>cd-r <\/strong><\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.4&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>11.98<\/strong><\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.5&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"> <\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><br \/>\nContour Editions is a new label curated by  New York based sound artist Richard Garet, whose tense grey drones had  marked his very impressive Four Malleable 2cd set on And\/OAR as well as  an exceptional collaboration with Brendan Murray released back in 2009.  The same technical rigor that Garet employs in his own compositions  extends to this compilation of various artists working around the globe,  including i8u (Canada), Christopher DeLaurenti (Seattle), Gil Sanson  (Venezuela), and Brian Mackern &amp; Gabriel Galli (Uruguay). Aside from  DeLaurenti, whose phonography collection of orchestral intermissions  has long been a favorite of ours, this compilation is an introduction to  all of the artists present. Not a bad thing at all, considering how  strong each contribution is.\u00a0Garet had charged these sound artists to  consider the &#8220;evocation of the in-between immaterial spaces&#8221; &#8211; not quite  the existential pursuit into nothingness, silence, or the void; but  rather, the faintest of sounds brought close to the event horizon, the  ghosts that tickle at the edge of perception, etc. Fortunately, none of  the artists employ the clicks and cuts techniques which emerged from the  Max\/MSP crowd from the nascent days of the millennium. Sure, things are  quiet and undoubtedly processed and\/or produced by digital means. <\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\">i8u is the work  of Canadian composer France Jobin, who&#8217;s actually been around quite a  while, producing all sorts of electronica-laced computer-driven  compositions. Her track eschews all of the mid-range frequencies,  instead splitting her attention between a deep rumbling low-end of a  slightest pierced tones at the high-end. Despite the extremes of  tonality, there&#8217;s something rather lulling and enveloping about this  piece almost achieving the same generative stasis that Thomas Koner  produces. Christopher DeLaurenti presents two tracks of stone-faced  slabs of grey noises looped and snapped into a darkened ambience. Gil  Sanson&#8217;s eight vignettes are open ended by design, with the composer  encouraging the listener to hit shuffle on the cd player. These buzzes,  drones, and smeared field recordings connect through a muted aesthetic  of dreamy discomfort. The Mackern &amp; Galli piece bristles with  electrical static cracked upon a shortwave radio with Morse code blips  streaming into the foreground and peculiar gestures of feedback sneaking  throughout. Bits of radio transmission break through these disembodied  elements, giving the piece the detached aesthetic which was endemic to  The Conet Project and The Ghost Orchid, despite the very-hands on  approach to this piece. All together, the album seamlessly flows from  one track to the other, almost making it difficult to discern where one  composition begins and another ends.<\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\">Hopefully,  one of many good things to come from Mr. Garet&#8217;s label. Oh yes, it&#8217;s  limited to 150 copies, too! <\/span><\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><br \/>\n<\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.6&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>MPEG Stream: <\/strong><a href=\"http:\/\/www.aquariusrecords.org\/audio\/i8uphysicalabsent.m3u\" target=\"_blank\"><span style=\"color: #2562dd;\"><span style=\"text-decoration: underline;\"><strong>I8U  &#8220;Rarefaction&#8221;<\/strong><\/span><\/span><\/a><br \/>\n<\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.7&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>MPEG Stream: <\/strong><a href=\"http:\/\/www.aquariusrecords.org\/audio\/delaurentiphysicalabsent.m3u\" target=\"_blank\"><span style=\"color: #2562dd;\"><span style=\"text-decoration: underline;\"><strong>CHRISTOPHER  DELAURENTI &#8220;Sigil&#8221;<\/strong><\/span><\/span><\/a><br \/>\n<\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.8&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>MPEG Stream: <\/strong><a href=\"http:\/\/www.aquariusrecords.org\/audio\/sansonphysicalabsent.m3u\" target=\"_blank\"><span style=\"color: #2562dd;\"><span style=\"text-decoration: underline;\"><strong>GIL  SANSON &#8220;La Montana Se Ha Ido 4&#8221;<\/strong><\/span><\/span><\/a><br \/>\n<\/span><img decoding=\"async\" src=\"http:\/\/mail.google.com\/a\/i8u.com\/?ui=2&amp;ik=0f0ba04991&amp;view=att&amp;th=127a2448c6ddbc8d&amp;attid=0.1.9&amp;disp=emb&amp;zw\" alt=\"\" \/><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><strong>MPEG Stream: <\/strong><a href=\"http:\/\/www.aquariusrecords.org\/audio\/lamontanaphysical.m3u\" target=\"_blank\"><span style=\"color: #2562dd;\"><span style=\"text-decoration: underline;\"><strong>BRIAN  MACKERN &amp; GABRIEL GALLI &#8220;Temporal De Santa Rosa&#8221;<\/strong><\/span><\/span><\/a> <\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><a href=\"http:\/\/w174.i8u.com\/wp-content\/uploads\/2010\/03\/pat_front_cover_sm-e1269799273721.jpg\"><br \/>\n<\/a><\/span><\/p>\n<p><span style=\"font-family: Verdana; color: #3a080a; font-size: x-small;\"><a href=\"http:\/\/www.aquariusrecords.org\/cat\/jim.html\" target=\"_blank\">http:\/\/www.aquariusrecords.org\/cat\/jim.html<\/a><\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Contour Editions is a new label curated by New York based sound artist Richard Garet,<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[227],"tags":[356,339,254,252,258,255,253,355,257,357],"class_list":["post-1603","post","type-post","status-publish","format-standard","hentry","category-reviews","tag-absent","tag-aquarius-records","tag-brian-mackern","tag-christopher-delaurenti","tag-contour-editions","tag-gabriel-galli","tag-gil-sanson","tag-physical","tag-richard-garet","tag-tangible"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/1603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1603"}],"version-history":[{"count":10,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/1603\/revisions"}],"predecessor-version":[{"id":2025,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=\/wp\/v2\/posts\/1603\/revisions\/2025"}],"wp:attachment":[{"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.francejobin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}