{"id":5265,"date":"2017-03-09T20:11:33","date_gmt":"2017-03-09T20:11:33","guid":{"rendered":"https:\/\/www.francejobin.com\/?page_id=5265"},"modified":"2026-01-10T03:41:14","modified_gmt":"2026-01-10T03:41:14","slug":"statement","status":"publish","type":"page","link":"https:\/\/www.francejobin.com\/?page_id=5265","title":{"rendered":"statement"},"content":{"rendered":"

English<\/strong> – Fran\u00e7ais ci-dessous<\/p>\n

Described as \u201csound sculpture\u201d, my audio art is distinguished by its minimalist approach to sonic environments at the intersection of analog and digital. <\/span><\/p>\n

I create immersive sound sculptures that invite attentive and conscious listening, transforming sound into a perceptual, spatial, and temporal material. Through a minimalist aesthetic rooted in the distillation and reduction of sonic material, I seek to reveal micro-variations, tensions, and emergent phenomena usually imperceptible, opening new spaces for perception and listening experiences.<\/span><\/p>\n

My practice lies at the intersection of sound art, architecture, and quantum physics. Inspired by concepts such as entanglement, superposition, uncertainty, antimatter and quantum fields, I develop works that interpret these notions not in an illustrative way, but through sensory and experiential means. Sound is conceived as a dynamic, mutable, and non-linear field, whose perception shifts according to space, movement, and the listener\u2019s position.<\/span><\/p>\n

Conceived in situ, my installations and performances engage in a close dialogue with the architecture. Like an experimental protocol, sound spatialization, scenophony and audience movement define multiple listening conditions, making the work an open system rather than a fixed object. The listener thus becomes an active participant in the perceptual experience.<\/span><\/p>\n

My music, characterized by restraint and precision, does not shy away from extremes: the interplay of high and low frequencies, tensions between silence and amplitude, discontinuities, and emergences. These aesthetic choices generate perceptual narratives that destabilize listening and invite active attention, akin to an act of detection.<\/span><\/p>\n

By using sound as an interface between science and perception, my work creates immersive environments where the principles of quantum physics are felt rather than demonstrated, inviting the audience to pause, listen, and question the invisible structures that shape our experience of reality.<\/span><\/p>\n

And perhaps, if I do this correctly, the audience will no longer hear me but will begin to listen to themselves.
\n<\/span><\/p>\n

Fran\u00e7ais<\/strong><\/p>\n

Qualifi\u00e9e de \u00ab sculpture sonore \u00bb, <\/span>ma cr\u00e9ation d\u2019\u0153uvres <\/span>audio se distingue par son approche minimaliste des environnements sonores \u00e0 l\u2019intersection de l\u2019analogique et du num\u00e9rique.<\/span><\/p>\n

Je <\/span>cr\u00e9e des sculptures sonores immersives qui invitent \u00e0 une \u00e9coute attentive et consciente, en transformant le son en un mat\u00e9riau perceptif, spatial et temporel. \u00c0 travers une esth\u00e9tique minimaliste issue de la distillation et de la r\u00e9duction de la mati\u00e8re sonore, je cherche \u00e0 r\u00e9v\u00e9ler des micro-variations, des tensions et des ph\u00e9nom\u00e8nes \u00e9mergents habituellement imperceptibles, ouvrant ainsi de nouveaux espaces de perception et d\u2019exp\u00e9rience de l\u2019\u00e9coute.<\/span><\/p>\n

Ma d\u00e9marche se situe \u00e0 l<\/span>‘<\/span>entrecroisement<\/span> de l\u2019art sonore, de l\u2019architecture et de la physique quantique. Inspir\u00e9e par des concepts tels que l\u2019intrication, la superposition, l\u2019incertitude, l\u2019antimati\u00e8re ou les champs quantiques, je d\u00e9veloppe des \u0153uvres qui interpr\u00e8tent ces notions non pas de fa\u00e7on illustrative, mais de mani\u00e8re sensible et exp\u00e9rientielle. J’y envisage le son comme un champ dynamique, mutable et non lin\u00e9aire, dont la perception varie selon l\u2019espace, le mouvement et la position de l\u2019auditeur.<\/span><\/p>\n

Con\u00e7ues in situ, mes installations et mes performances dialoguent \u00e9troitement avec l\u2019architecture. \u00c0 l\u2019image d\u2019un protocole exp\u00e9rimental, la spatialisation sonore, la sc\u00e9nophonie et la circulation du public d\u00e9finissent des conditions d\u2019\u00e9coute multiples, faisant de l\u2019\u0153uvre un syst\u00e8me ouvert plut\u00f4t qu\u2019un objet fixe. L\u2019auditeur devient ainsi un acteur de l\u2019exp\u00e9rience perceptive.<\/span><\/p>\n

Ma musique, marqu\u00e9e par la retenue et la pr\u00e9cision, n\u2019h\u00e9site pas \u00e0 explorer les extr\u00eames : jeux de hautes et basses fr\u00e9quences, tensions entre le silence et l\u2019amplitude, discontinuit\u00e9s et \u00e9mergences. Ces choix esth\u00e9tiques cr\u00e9ent des narrations perceptives qui d\u00e9stabilisent l\u2019\u00e9coute et invitent \u00e0 une attention active, proche d\u2019un acte de d\u00e9tection.<\/span><\/p>\n

En mobilisant le son comme une interface entre la science et la perception, mon travail propose des environnements immersifs o\u00f9 les principes de la physique quantique sont v\u00e9cus plut\u00f4t que d\u00e9montr\u00e9s, engageant le public \u00e0 s\u2019arr\u00eater, \u00e0 \u00e9couter et \u00e0 interroger les structures invisibles qui fa\u00e7onnent notre exp\u00e9rience du r\u00e9el.<\/span><\/p>\n

Et si je r\u00e9ussis, peut-\u00eatre que le public ne m\u2019entendra plus et amorcera un voyage vers son \u00e9coute int\u00e9rieure.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

English – Fran\u00e7ais ci-dessous Described as \u201csound sculpture\u201d, my audio art is distinguished by its minimalist approach to sonic environments at the intersection of analog and digital. I create immersive sound sculptures that invite attentive and conscious listening, transforming sound into a perceptual, spatial, and temporal material. Through a minimalist aesthetic rooted in the distillation … <\/p>\n

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